Miri Segal
The logic of stupidity
2009
White neon, mirror and glass
150 × 150 × 50 cm
Ed. 4/5
Location: Paris, France
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About the artwork
This installation reuses a principle dear to the artist's heart: anamorphosis. This mechanism allows an image to be reformed, or deformed, using an optical system; in this case, neon lights whose light is reflected by a pane of glass. The observer must be positioned at a precise point in order to observe the reformed image. By means of this anamorphosis, Miri Segal recreates the last words of this sentence. The words are deprived of all materiality and given a floating, ghostly appearance, perfectly echoing the meaning of the text itself. A famous quotation from Shakespeare's A Midsummer Night's Dream, this phrase, spoken by a fairy, comments on the stupidity of human quarrels of love. Ironically, the fairies become embroiled in these human affairs, demonstrating the futility and superficiality of the split that had occurred between these worlds. Here, the phrase acts in an interdependent relationship that unites the physical (or mortal) and immaterial (or spiritual) worlds. It is only when these two worlds come together that the sentence becomes complete and reveals its meaning to the viewer.
Expert opinion
This installation, with its conceptual aesthetic and representative of the artist's work, is museum-scale.
About the artist
Born in 1965 in Haifa (Israel), Miri Segal now lives and works in Tel Aviv.
She inherited a taste for the mechanisms of perception from her doctorate in mathematics at the University of Jerusalem. She then trained at the Art Institute in San Francisco. Since 1990, the artist has focused on multi-media installations, using video, photography, light objects, mirrors and text to construct spaces in which the viewer's body plays an essential role. Using projection and anamorphosis, Miri Segal creates illusions and other interactive installations that disturb the vision of the body that inhabits them. Her work questions both the current socio-political context and the ethics and future of technology. In addition to her numerous exhibitions in Israel, the artist has also been honored in many countries around the world. Major institutions have devoted several solo exhibitions to her work, including MoMA and KANAL - Centre Pompidou (Brussels).
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