Skip to Content

Miri Segal

The logic of stupidity

2009

White neon, mirror and glass

150 × 150 × 50 cm

Ed. 4/5

Location: Paris, France

https://www.artransfer.com/web/image/product.template/449/image_1920?unique=22290c8

10,080 € 10080.0 EUR 10,080 €

  • Color

This combination does not exist.

ARTRANSFER Digital Passport
Arianee token ID 447829816
Share by Email

Documents

  • Invoice or proof of purchase
  • Certificate of authenticity
  • Other documents

About the artwork

This installation reuses a principle dear to the artist's heart: anamorphosis. This mechanism allows an image to be reformed, or deformed, using an optical system; in this case, neon lights whose light is reflected by a pane of glass. The observer must be positioned at a precise point in order to observe the reformed image. By means of this anamorphosis, Miri Segal recreates the last words of this sentence. The words are deprived of all materiality and given a floating, ghostly appearance, perfectly echoing the meaning of the text itself. A famous quotation from Shakespeare's A Midsummer Night's Dream, this phrase, spoken by a fairy, comments on the stupidity of human quarrels of love. Ironically, the fairies become embroiled in these human affairs, demonstrating the futility and superficiality of the split that had occurred between these worlds. Here, the phrase acts in an interdependent relationship that unites the physical (or mortal) and immaterial (or spiritual) worlds. It is only when these two worlds come together that the sentence becomes complete and reveals its meaning to the viewer.

Expert opinion

This installation, with its conceptual aesthetic and representative of the artist's work, is museum-scale.

About the artist

Born in 1965 in Haifa (Israel), Miri Segal now lives and works in Tel Aviv. She inherited a taste for the mechanisms of perception from her doctorate in mathematics at the University of Jerusalem. She then trained at the Art Institute in San Francisco. Since 1990, the artist has focused on multi-media installations, using video, photography, light objects, mirrors and text to construct spaces in which the viewer's body plays an essential role. Using projection and anamorphosis, Miri Segal creates illusions and other interactive installations that disturb the vision of the body that inhabits them. Her work questions both the current socio-political context and the ethics and future of technology. In addition to her numerous exhibitions in Israel, the artist has also been honored in many countries around the world. Major institutions have devoted several solo exhibitions to her work, including MoMA and KANAL - Centre Pompidou (Brussels).

OTHER ARTWORKS YOU MAY LIKE