About the artwork
This pair of etchings by Alfonso Ayuso, Faucon and Águila, presents two emblematic birds of prey rendered with remarkable precision and restraint. Each composition isolates the animal on a rocky ground, emphasizing posture, gaze, and physical presence. The falcon stands upright and alert, conveying vigilance and control, while the eagle appears broader and more grounded, expressing power and sovereignty. Ayuso’s refined etching technique is evident in the delicate yet confident line work used to describe the plumage, anatomy, and textures of the birds. The backgrounds remain subtly textured and uncluttered, allowing the figures to emerge with clarity and authority. The limited color palette reinforces the timeless and almost symbolic quality of the images. Printed by Éditions Emilio Jacometti & Cie, Paris, these works are original etchings, signed and numbered by the artist. Faucon is numbered 9/60 and Águila 12/60. They are offered as a matched pair, enhancing their conceptual and visual dialogue.
Expert opinion
Cet ensemble forme un diptyque particulièrement cohérent dans la production graphique d’Alfonso Ayuso. La présentation conjointe de ces deux rapaces accentue la portée symbolique des œuvres, autour de notions de vigilance, de force et d’autorité silencieuse. La maîtrise technique de l’artiste est évidente dans l’équilibre entre précision du dessin et sobriété de la composition, conférant aux figures une présence presque sculpturale. Le tirage relativement limité, associé à l’édition par Éditions Emilio Jacometti & Cie, constitue un élément favorable en termes de qualité et de positionnement sur le marché. Proposées en paire, ces deux gravures gagnent en lisibilité esthétique et en intérêt pour les collectionneurs sensibles à une figuration contemporaine ancrée dans une tradition classique de la gravure.
About the artist
Born in Madrid, Spain, he studied engraving at the École Supérieure d'Arts Graphiques under professors Castro Gil and Sanchez-Toda. He moved to Paris in 1955 and perfected his etching technique at the Académie Delpech. He worked in Jerusalem between 1958 and 1961. He was appointed associate member of the Académie des Beaux-Arts de Paris in 1964. From 1984, he directed the Caslon studios in Paris.
Additional info
Signed
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