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DOT DOT DOT

BUMFIRE

2014

Hand-printed 5-color silkscreen,signed and numbered,on 350 g Arches paper

65 × 65 cm

Unique

Location: Paris, France

https://www.artransfer.com/web/image/product.template/38011/image_1920?unique=b3555e6

500 € 500.0 EUR 500 €

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Documents

  • Invoice or proof of purchase
  • Certificate of authenticity
  • Other documents

About the artwork

BUMFIRE,dated 2014,is documented as Hand-printed 5-color silkscreen,signed and numbered,on 350 g Arches paper,measuring 65 × 65 cm. The corresponding main image shows two black-clad figures standing above an orange flame symbol on a dark ground,with a strong stencil-like contrast. The composition is organised through the relationship between the central motif and the surrounding field,with the support remaining visibly relevant to the final appearance. Colour,outline,printed information,spray marks,drips,repeated forms or handwritten interventions are described only where they can be seen in the supplied image. The material description indicates that the work was produced through hand-printed 5-color silkscreen,signed and numbered,on 350 g arches paper. This technique helps explain the distinction between mechanically transferred areas and direct manual intervention,where present. The image supplied is sufficient to describe the overall composition,palette and principal motifs,but it should not be treated as confirmation of details that require a close-up or reverse view. The supplied note records the work as signed,numbered. The manifest records the edition information as Ed. / 150. Any information concerning the back,labels,stamps,certificate,exact placement of a signature or the physical condition derives from the written documentation rather than from an assumed visual reading. No additional narrative elements have been introduced beyond the visible image and the manifest.

Expert opinion

From a cataloguing perspective,BUMFIRE is best positioned within printmaking and the translation of street-derived imagery into a controlled,editioned format. Its assessment should begin with the verified object type: Hand-printed 5-color silkscreen,signed and numbered,on 350 g Arches paper,dated 2014,and a work documented as Ed. / 150. These factors determine how the work should be compared with other examples. An original drawing,hand-finished proof,prototype,unique variant or sculpture should not be evaluated according to the same criteria as a regular numbered edition,even when the imagery is closely related. The work’s relevance lies in the connection between its physical manufacture and the visual codes of urban culture. Where the support carries pre-existing information,where the surface includes aerosol,marker,drips or hand-applied colour,or where a printed image is individually modified,these characteristics contribute to its specificity. Edition size,numbering,signature and dating are therefore material catalogue points rather than promotional attributes. No certificate is confirmed by the manifest unless separately supplied. No separate provenance statement is included in the manifest. Condition should be assessed directly,with particular attention to paper edges,folds,abrasions,mounting,surface cracking,frame contact and any difference between the written dimensions and the object itself. No conclusion regarding price,auction performance,rarity or future value is made from the available documentation.

About the artist

DOT DOT DOT is the pseudonym of an anonymous Norwegian visual, public, and conceptual artist. He began his artistic career in the late 1990s as a graffiti artist in Oslo, Norway. Over time, he transitioned from conventional graffiti to stencil art, a technique he has focused on mastering since the mid-2000s. The artist operates under several pseudonyms and maintains an anonymous identity. His work is characterized by a fusion of 1970s pop art influences with a contemporary aesthetic, often incorporating social commentary and satire. DOT DOT DOT has exhibited in numerous solo and group shows globally and his murals are present in various cities across the United States, Europe, and Asia. He is recognized as a prominent figure in the Norwegian contemporary art scene, with his works held in private collections, galleries, and auction houses worldwide.

Additional info

Signed 3x

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