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DOT DOT DOT

BUMFIRE

2014

Hand-printed 5-color silkscreen,signed and numbered,on 350 g Arches paper

65 × 65 cm

Unique

Localisation : Paris, France

https://www.artransfer.com/web/image/product.template/38011/image_1920?unique=b3555e6

500 € 500.0 EUR 500 €

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Documents

  • Invoice or proof of purchase
  • Certificate of authenticity
  • Other documents

À propos de l'œuvre

BUMFIRE,dated 2014,is documented as Hand-printed 5-color silkscreen,signed and numbered,on 350 g Arches paper,measuring 65 × 65 cm. The corresponding main image shows two black-clad figures standing above an orange flame symbol on a dark ground,with a strong stencil-like contrast. The composition is organised through the relationship between the central motif and the surrounding field,with the support remaining visibly relevant to the final appearance. Colour,outline,printed information,spray marks,drips,repeated forms or handwritten interventions are described only where they can be seen in the supplied image. The material description indicates that the work was produced through hand-printed 5-color silkscreen,signed and numbered,on 350 g arches paper. This technique helps explain the distinction between mechanically transferred areas and direct manual intervention,where present. The image supplied is sufficient to describe the overall composition,palette and principal motifs,but it should not be treated as confirmation of details that require a close-up or reverse view. The supplied note records the work as signed,numbered. The manifest records the edition information as Ed. / 150. Any information concerning the back,labels,stamps,certificate,exact placement of a signature or the physical condition derives from the written documentation rather than from an assumed visual reading. No additional narrative elements have been introduced beyond the visible image and the manifest.

Avis de l'expert

From a cataloguing perspective,BUMFIRE is best positioned within printmaking and the translation of street-derived imagery into a controlled,editioned format. Its assessment should begin with the verified object type: Hand-printed 5-color silkscreen,signed and numbered,on 350 g Arches paper,dated 2014,and a work documented as Ed. / 150. These factors determine how the work should be compared with other examples. An original drawing,hand-finished proof,prototype,unique variant or sculpture should not be evaluated according to the same criteria as a regular numbered edition,even when the imagery is closely related. The work’s relevance lies in the connection between its physical manufacture and the visual codes of urban culture. Where the support carries pre-existing information,where the surface includes aerosol,marker,drips or hand-applied colour,or where a printed image is individually modified,these characteristics contribute to its specificity. Edition size,numbering,signature and dating are therefore material catalogue points rather than promotional attributes. No certificate is confirmed by the manifest unless separately supplied. No separate provenance statement is included in the manifest. Condition should be assessed directly,with particular attention to paper edges,folds,abrasions,mounting,surface cracking,frame contact and any difference between the written dimensions and the object itself. No conclusion regarding price,auction performance,rarity or future value is made from the available documentation.

À propos de l'artiste

DOT DOT DOT est le pseudonyme d'un artiste norvégien anonyme, actif dans les domaines de l'art visuel, de l'art public et de l'art conceptuel. Il a débuté sa carrière artistique à la fin des années 1990 en tant que graffeur à Oslo, en Norvège. Au fil du temps, il est passé du graffiti traditionnel à l'art du pochoir, une technique qu'il s'efforce de maîtriser depuis le milieu des années 2000. L'artiste utilise plusieurs pseudonymes et préserve son anonymat. Son œuvre se caractérise par une fusion entre les influences du pop art des années 1970 et une esthétique contemporaine, intégrant souvent des commentaires sociaux et de la satire. DOT DOT DOT a exposé dans de nombreuses expositions individuelles et collectives à travers le monde et ses fresques murales sont présentes dans diverses villes des États-Unis, d’Europe et d’Asie. Il est reconnu comme une figure de proue de la scène artistique contemporaine norvégienne, ses œuvres faisant partie de collections privées, de galeries et de maisons de vente aux enchères du monde entier.

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