About the artwork
Like a confrontation between the ancient and the contemporary, this work takes the form of a traditional African mask onto which the artists have glued elements of modern culture. The mask is divided into two equal parts: a white part in which is inscribed the feminine symbol (or mirror of Venus), and a black part which, conversely, contains the masculine symbol (the shield and spear of Mars). Two opposing universes, whose polarity is reinforced by the contrast of black and white. The mask is thus the vector of a temporal and social duality, echoing a confused plurality of identities that is reminiscent of the state of African cultures in this post-colonial period.
Expert opinion
This work is part of a committed effort to revalorize African culture. It follows in the footsteps of other artists such as Romuald Hazoumé, who reappropriate traditions and objects fetishized by Western markets.
About the artist
Born in Bobo Dioulasso (Burkina Faso) in 1980, twin brothers Assane and Ousseni Ouattara are two self-taught artists working to revitalize Burkinabe culture. With this in mind, they create objects based on their traditions and confront them with the aesthetic canons of the contemporary world. In particular, the duo explores the consequences of the removal of the usual and spiritual utility of African masks by their propulsion to the rank of artistic fetish. To add a layer of historicity to their creative process and understand the contemporary issues surrounding African masks, the two brothers have been in dialogue with various Burkinabe mask manufacturers.
Additional info
Signed
Dated
Proof of authenticity
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