Untitled

Comprising four distinct rectangular panels configured as a unified quadriptych, the composition centers on repeated serigraphed silhouettes of Marilyn Monroe rendered in high-contrast black ink over multicolored acrylic grounds. Each canvas employs a discrete chromatic palette—spanning vibrant pink, saturated orange, metallic gold, and cool lavender—layered beneath stenciled alphanumeric text and promotional fragments that reference mid-century commercial signage. The integration of hand-pulled silkscreen processes with opaque acrylic paint reflects the artist's early technical experiments following his tenure at the New Orleans Contemporary Arts Center. The serial repetition across the four supports echoes post-war commercial print traditions while introducing subtle variations in hue and texture that distinguish each individual panel.