PART-ONE aka Enrique Torres
SPUD 2
1984
encre et marker sur papier
21.6 × 27.9 cm
Unique
Location: Paris, France
Documents
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Invoice or proof of purchase
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Certificate of authenticity
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Other documents
About the artwork
A dynamic composition rendered in ink and marker on paper,this artwork features a stylized rendering of the word "SPUD" alongside the numerical designation "2TWD". The central lettering is executed in a bubble-style,three-dimensional form,predominantly in shades of light blue with darker blue outlines and shadow effects. Speckled details are applied across the surfaces of the letters,adding textural variation.
The primary lettering is set against a background of flame-like orange elements,which frame the main text and extend upwards. In the upper right quadrant,a smaller,more intricate tag in magenta and yellow appears,suggesting a signature or additional artistic mark. The overall presentation reflects characteristics of early graffiti art,emphasizing bold letterforms and a vibrant color palette.
Expert opinion
This work represents a stylistic example from the early period of graffiti art,a movement that originated in urban environments and later transitioned into gallery spaces. Pieces like this,often referred to as "blackbook" sketches or concept drawings,are significant as they document the artistic evolution and stylistic experimentation of graffiti writers. They serve as direct links to the origins of Street Art,providing insight into the creative process before the execution of larger-scale works. The artist's position as an early innovator within the New York graffiti scene lends historical weight to such works,placing them within a specific art historical context that has gained academic and collector interest over recent decades.
About the artist
Enrique Torres, known as PART-ONE, is an American artist recognized for his contributions to the early New York City graffiti scene. Active since the 1970s, he emerged from the Bronx, becoming a member of prominent crews such as The Death Squad (TDS) and The Crazy Five (TC5). His work developed during a formative period for the art form, characterized by experimentation with letter styles and color schemes on subway trains. Torres's career progressed from illegal street art to gallery exhibitions, establishing him as a historical figure within the Street Art movement. His practice includes both large-scale murals and smaller works on paper, documenting the evolution of his distinct aesthetic.
Additional info
Signed
Dated
3x
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