PART-ONE aka Enrique Torres
SPUD 2
1984
encre et marker sur papier
21.6 × 27.9 cm
Unique
Localisation : Paris, France
Documents
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Invoice or proof of purchase
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Certificate of authenticity
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Other documents
À propos de l'œuvre
A dynamic composition rendered in ink and marker on paper,this artwork features a stylized rendering of the word "SPUD" alongside the numerical designation "2TWD". The central lettering is executed in a bubble-style,three-dimensional form,predominantly in shades of light blue with darker blue outlines and shadow effects. Speckled details are applied across the surfaces of the letters,adding textural variation.
The primary lettering is set against a background of flame-like orange elements,which frame the main text and extend upwards. In the upper right quadrant,a smaller,more intricate tag in magenta and yellow appears,suggesting a signature or additional artistic mark. The overall presentation reflects characteristics of early graffiti art,emphasizing bold letterforms and a vibrant color palette.
Avis de l'expert
This work represents a stylistic example from the early period of graffiti art,a movement that originated in urban environments and later transitioned into gallery spaces. Pieces like this,often referred to as "blackbook" sketches or concept drawings,are significant as they document the artistic evolution and stylistic experimentation of graffiti writers. They serve as direct links to the origins of Street Art,providing insight into the creative process before the execution of larger-scale works. The artist's position as an early innovator within the New York graffiti scene lends historical weight to such works,placing them within a specific art historical context that has gained academic and collector interest over recent decades.
À propos de l'artiste
Enrique Torres, connu sous le nom de PART-ONE, est un artiste américain reconnu pour sa contribution aux débuts de la scène du graffiti new-yorkaise. Actif depuis les années 1970, il a fait ses débuts dans le Bronx avant de rejoindre des groupes de renom tels que The Death Squad (TDS) et The Crazy Five (TC5). Son œuvre s’est développée à une période charnière pour cette forme d’art, marquée par l’expérimentation des styles de lettrage et des palettes de couleurs sur les rames de métro. La carrière de Torres est passée de l’art de rue illégal aux expositions en galerie, ce qui lui a valu de s’imposer comme une figure historique du mouvement du street art. Sa pratique englobe aussi bien des fresques murales à grande échelle que des œuvres plus modestes sur papier, témoignant de l’évolution de son esthétique singulière.
Informations complémentaires
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