Shepard Fairey (OBEY)
Sedation Of Millions
2012
Screenprint
61 × 46 cm
Ed. 59/450
Location: Nospelt, Luxembourg
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About the artwork
This work features the image of a retinal gun target, with the number 3 placed prominently at its center, overlaid with the bold phrase "IT TAKES THE SEDATION OF MILLIONS TO HOLD US BACK". This work resonates with Fairey's ongoing exploration of control, power and propaganda. The title and thematic content pay homage to Public Enemy's album "It Takes A Nation Of Millions To Hold Us Back", channeling the influential hip-hop group's iconic spirit of resistance and vocal power. Fairey's work challenges the viewer to consider the societal implications of complacency and the sedative effects of consumer culture, social media and entertainment that contribute to a collective indifference to critical issues.
Expert opinion
This work perfectly embodies Shepard Fairey's style, blending political messages with aesthetics inspired by the history of militant art.
About the artist
American artist, born in 1970. Lives and works in Los Angeles (USA). Muralist, illustrator and silkscreen artist, Shepard Fairey (Obey) is one of the most influential figures in urban art. Influenced by Andy Warhol, Barbara Kruger and Diego Rivera, he is best known for the HOPE portrait of Barack Obama he created for his presidential campaign in 2008, which has since been acquired by the National Portrait Gallery (Washington, USA). Following the attacks in France on November 13, 2015, Shepard Fairey created a Marianne with the motto "Liberté, Égalité, Fraternité", a work that has now become a national symbol and is on display at the Élysée Palace. In 2019, he will create his hundredth fresco at Place Igor Stravinsky in Paris, next to the Centre Pompidou. Internationally renowned, Shepard Fairey can be found in the collections of the Smithsonian (Washington, USA), the Museum of Modern Art (New York, USA) and the Victoria and Albert Museum (London, UK). He has also exhibited in prestigious venues such as the Fondation Cartier for the "Né dans la rue - Graffiti" exhibition in 2009, and the Institute of Contemporary Art in Boston (USA), where his retrospective "Supply & Demand" was organized in 2009.
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