Alex Katz
Michael Lally (from the Face of the Poet portfolio)
1978
Aquatint in colors
37 × 48 cm
Ed. /25 — Printer: Prawat Laucharoen, New York Publisher: Co-published by Brooke Alexander, Inc., New York and Marlborough Graphics, Inc., New York
Location: PARIS, France
Documents
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Invoice or proof of purchase
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About the artwork
Produced in 1978, the image centers on a cropped portrait of the writer Michael Lally against an expansive white background. Printed by Prawat Laucharoen and published jointly by Brooke Alexander, Inc. and Marlborough Graphics in New York, the print is part of the fourteen-part portfolio titled *Face of the Poet*. The composition utilizes a shaped copperplate technique derived from the artist's physical cutout works, combining soft tonal gradations of aquatint with crisp graphic contours.
Expert opinion
This print exemplifies the close collaborative network between the artist and the second-generation New York School poets during the 1970s. By pairing minimalist portraiture with printed poetry, the portfolio reflects the interdisciplinary cultural climate of downtown New York. The work is represented in prominent public collections including the Museum of Modern Art, the Whitney Museum of American Art, and the Art Institute of Chicago.
About the artist
Alex Katz (b. 1927) is an American painter, printmaker, and sculptor, widely regarded as one of the most influential figures in postwar and contemporary art. Born in Brooklyn and raised in Queens, Katz studied at Cooper Union in New York and later at the Skowhegan School of Painting & Sculpture in Maine, where he developed his lifelong interest in working from direct observation and in capturing the immediacy of the visible world. Throughout the 1950s and 1960s, Katz forged a distinctive style marked by flat planes of bold color, sharply defined contours, and an economy of detail. His approach anticipated aspects of both Pop Art and Minimalism, yet remained firmly rooted in the traditions of portraiture and landscape painting. Katz became particularly known for his striking portraits of friends, poets, dancers, and especially his wife Ada, who has appeared in hundreds of his works. Over the decades, Katz expanded his practice to include large-scale paintings, cutout sculptures, and an extensive printmaking oeuvre. His images of landscapes, especially trees, fields, and twilight scenes, have become central to his late-career production, demonstrating remarkable freshness and vitality. Katz’s work has been exhibited in major museums worldwide, including the Whitney Museum of American Art, MoMA, the Metropolitan Museum of Art, the Guggenheim, the Tate Modern, the National Gallery of Art, and the Centre Pompidou. His influence can be seen in generations of younger painters working today. Celebrated for his clarity, elegance, and graphic precision, Alex Katz continues to produce new work well into his nineties, remaining one of the most enduring and iconic voices in contemporary painting.
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