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Shepard Fairey (OBEY)

Face Collage

2018

Screen printing

61 × 45 cm

Open edition

Location: Paris, France

https://www.artransfer.com/web/image/product.template/4395/image_1920?unique=3db916c

110 € 110.0 EUR 110 €

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About the artwork

This work presents Shepard Fairey's emblematic figure, André. The figure of André is accompanied by an abundant background in which warm-toned visual debris is superimposed. These include a target, a lotus flower and inscriptions in various languages. Like other pieces by Shepard Fairey, this composition is a kind of visual enigma in which the links between forms and symbols are not always obvious. This work is part of a series of three editions in which André's face and the orange-tinted backgrounds vary.

Expert opinion

Composed of enigmatic visual debris, this work is characteristic of Shepard Fairey's production, in which diverse references intertwine to form an engaged discourse.

About the artist

American artist, born in 1970. Lives and works in Los Angeles (USA). Muralist, illustrator and silkscreen artist, Shepard Fairey (Obey) is one of the most influential figures in urban art. Influenced by Andy Warhol, Barbara Kruger and Diego Rivera, he is best known for the HOPE portrait of Barack Obama he created for his presidential campaign in 2008, which has since been acquired by the National Portrait Gallery (Washington, USA). Following the attacks in France on November 13, 2015, Shepard Fairey created a Marianne with the motto "Liberté, Égalité, Fraternité", a work that has now become a national symbol and is on display at the Élysée Palace. In 2019, he will create his hundredth fresco at Place Igor Stravinsky in Paris, next to the Centre Pompidou. Internationally renowned, Shepard Fairey can be found in the collections of the Smithsonian (Washington, USA), the Museum of Modern Art (New York, USA) and the Victoria and Albert Museum (London, UK). He has also exhibited in prestigious venues such as the Fondation Cartier for the "Né dans la rue - Graffiti" exhibition in 2009, and the Institute of Contemporary Art in Boston (USA), where his retrospective "Supply & Demand" was organized in 2009.

“Originally, I created this set of three vertical faces with a collage-style background as a group of paintings.”

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