Tracey Emin
Curled Up
2022
2 colour lithographs on Somerset Velvet Warm White 400gsm
60 × 76 cm
Ed. / 100 — Hand Signed and numbered on the front
Location: London, United Kingdom
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About the artwork
Produced in 2022,Curled Up presents a female figure folded tightly into herself. Emin describes the body through rapid,exposed lines,leaving large areas of paper untouched and allowing the pose to carry the emotional weight of the image. The limited color and abbreviated anatomy preserve the immediacy of a private drawing within the printed edition.
The stated technique is lithograph in colors on paper. Its material and format remain integral to the presentation. The lithographic process records changes in pressure,broken contours and overlapping gestures without regularizing the original drawing. Large areas of untouched paper remain visible around the marks,allowing the figure or handwritten phrase to retain an exposed and provisional character.
Expert opinion
The contracted body makes withdrawal itself the subject of the image. Emin’s line remains exposed and economical,allowing the pose to carry vulnerability without descriptive detail. The work belongs to a long tradition of intimate self-representation in which emotional experience is communicated through the body.
Within Tracey Emin’s wider practice,Curled Up is notable because it retains the hesitation and exposure of private experience within a public edition.
About the artist
Tracey Emin is a British artist born in London in 1963, and associated with the Young British Artists movement that profoundly influenced the art scene in the UK in the nineties. Her largely autobiographical work explores themes of love, sexuality, vulnerability, loss and identity in a wide variety of media, including drawing, painting, sculpture, neon, video, embroidery and installation. She achieved international recognition with emblematic works such as My Bed, presented in 1999 and now a symbol of radical confessional art. Handwritten language, often direct and emotionally charged, is a central element of her practice, particularly in her neon works, which translate intimate statements into luminous messages displayed in public spaces. Elected a Fellow of the Royal Academy in 2007, Tracey Emin has had major exhibitions in international institutions and her work is included in numerous public and private collections, confirming her essential role in the evolution of contemporary art centered on personal experience and subjectivity.
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