Ron Arad
Crinoline 3
2017
Chrome
78 × 61 × 3 cm
Ed. AP/35 + 5 AP
Documents
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Invoice or proof of purchase
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Certificate of authenticity
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Other documents
About the artwork
“Crinoline 3” is part of the series developed by Ron Arad that explores the metal line as a spatial concept. Crafted from polished chrome, this piece features an openwork structure composed of overlapping arches and radiating rods that evoke both the framework of a crinoline and an unfolding architectural form. The shine of the chrome accentuates the piece’s visual lightness, while creating multiple reflections and variations in light depending on the viewing angle. Hanging on the wall, the work appears as a three-dimensional drawing, its protruding lines casting shifting shadows that reinforce the sense of depth and spatial vibration. The tension between structural rigidity and organic fluidity lies at the heart of this composition, a hallmark of the artist’s sculptural language.
Expert opinion
This work perfectly illustrates Ron Arad’s ability to transform an industrial material into a refined sculptural creation. The use of chrome lends the piece an elegant and contemporary feel, while highlighting the technical precision of its assembly. As an artist’s proof, it holds particular interest for collectors, as its rarity enhances its heritage value. “Crinoline 3” is part of the artist’s ongoing formal exploration of structure, repetition, and the deconstruction of volumes, thereby solidifying his position in the fields of experimental design and contemporary sculpture.
About the artist
Ron Arad (b. 1951, Tel Aviv, Israel) is a designer, architect and artist internationally renowned for his experimental approach to materials and form. After studying at the Bezalel Academy of Arts and Design in Jerusalem, he moved to London, where he continued his training at the Architectural Association School of Architecture. In 1981, he and Dennis Groves founded the One Off studio, which rapidly became a laboratory for experimentation with recycled steel furniture and sculptural forms. His famous Rover Chair, made from a car seat integrated into a metal structure, marked the start of a career in which art, design and architecture intersected freely. In 1989, he founded Ron Arad Associates, developing projects in architecture, public installations and industrial design. His work is characterized by a constant tension between industrial rigor and formal freedom, combining advanced technologies and artisanal processes. His work can be found in the collections of major institutions such as the Museum of Modern Art in New York, the Centre Pompidou in Paris and the Victoria and Albert Museum in London. Today, Ron Arad is considered one of the leading figures in contemporary design, on the borderline between functional sculpture and experimental art.
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