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Bryce Delplanque

Booze Pot and Peaches

2023

Charcoal, acrylic, and ink on canvas

96 × 88 × 10 cm

Unique

Location: Paris, France

https://www.artransfer.com/web/image/product.template/24158/image_1920?unique=22290c8

4,500 € 4500.0 EUR 4,500 €

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About the artwork

Bryce Delplanque has created a still life based on a typical Asian spirit jar. Treated with a wide variety of motifs, the pot stands out from the rest of the composition, thanks to its azure blue color. Thanks to this contrasting pictorial treatment, the artist creates confusion in the viewer, whose gaze wanders between blur and sharpness. The viewer is reminded of the black background used in Bryce Delplanque's other still lifes. The use of black and white creates a visual tension between the tradition of the classic still life and a more contemporary style. The colors and textures give the impression of collage, in the manner of Pop Art artists. Under his brushes, the objects seem to come alive and become characters in the painting. He places this tableware in a context where it takes on a new meaning. The subject of the work questions our relationship with nature and our everyday environment, and the strange and disquieting aspects of it.

Expert opinion

The color work on the alcohol jar adds a pop touch to a classically crafted composition. The canvas takes on an unexpected character.

About the artist

Born in Orléans in 1993, Bryce Delplanque is a contemporary painter renowned for his work combining traditional techniques and modern aesthetics. Bryce Delplanque draws inspiration from non-Western culture to create his own repertoire of iconographic motifs. In the early 2000s, he began academic training in ceramics. He studied at several specialized institutions. In 2020, he exhibited in a group show at the Galerie des Arts Céramiques in Paris. In 2022, he exhibits at the Maison de la Céramique in Sèvres. Winner of the Carré sur Seine 2024 prize, in March 2023 he exhibited in duo with Nils Vandevenne at Poush. In 2022, he presented his work at the Villa Arson as part of the exhibition "Construire sa prétendue", curated by Marie de Gaulejac.

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