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Magnus Gjoen

From the Cradle to the Grave I

2015

Very high-quality giclée print on 308 g Photorag art paper,signed and numbered

50 × 50 cm

Ed. / 25

Localisation : Paris, France

https://www.artransfer.com/web/image/product.template/38008/image_1920?unique=958a5ab

540 € 540.0 EUR 540 €

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À propos de l'œuvre

From the Cradle to the Grave I,dated 2015,is documented as Very high-quality giclée print on 308 g Photorag art paper,signed and numbered,measuring 50 × 50 cm. The corresponding main image shows a circular and spade-shaped cut-out composition containing photographic floral imagery in black,cream and muted green. The composition is organised through the relationship between the central motif and the surrounding field,with the support remaining visibly relevant to the final appearance. Colour,outline,printed information,spray marks,drips,repeated forms or handwritten interventions are described only where they can be seen in the supplied image. The material description indicates that the work was produced through very high-quality giclée print on 308 g photorag art paper,signed and numbered. This technique helps explain the distinction between mechanically transferred areas and direct manual intervention,where present. The image supplied is sufficient to describe the overall composition,palette and principal motifs,but it should not be treated as confirmation of details that require a close-up or reverse view. The supplied note records the work as signed,numbered. The manifest records the edition information as Ed. / 25. Any information concerning the back,labels,stamps,certificate,exact placement of a signature or the physical condition derives from the written documentation rather than from an assumed visual reading. No additional narrative elements have been introduced beyond the visible image and the manifest.

Avis de l'expert

From a cataloguing perspective,From the Cradle to the Grave I is best positioned within contemporary print practice and the circulation of graphic imagery through carefully produced editions. Its assessment should begin with the verified object type: Very high-quality giclée print on 308 g Photorag art paper,signed and numbered,dated 2015,and an edition documented as Ed. / 25. These factors determine how the work should be compared with other examples. An original drawing,hand-finished proof,prototype,unique variant or sculpture should not be evaluated according to the same criteria as a regular numbered edition,even when the imagery is closely related. The work’s relevance lies in the connection between its physical manufacture and the visual codes of urban culture. Where the support carries pre-existing information,where the surface includes aerosol,marker,drips or hand-applied colour,or where a printed image is individually modified,these characteristics contribute to its specificity. Edition size,numbering,signature and dating are therefore material catalogue points rather than promotional attributes. No certificate is confirmed by the manifest unless separately supplied. No separate provenance statement is included in the manifest. Condition should be assessed directly,with particular attention to paper edges,folds,abrasions,mounting,surface cracking,frame contact and any difference between the written dimensions and the object itself. No conclusion regarding price,auction performance,rarity or future value is made from the available documentation.

À propos de l'artiste

Magnus Gjoen, né à Londres de parents norvégiens, a passé ses années de formation entre la Suisse, le Danemark et l'Italie avant de s'installer au Royaume-Uni. Il a d'abord suivi des études d'arts plastiques et de stylisme, ce qui l'a conduit à une carrière dans la mode, notamment au sein de marques telles que Vivienne Westwood. Gjoen s’est tourné vers l’art après avoir décoré son propre appartement londonien avec ses créations. Sa pratique artistique consiste à réinterpréter des œuvres d’art existantes et des fragments historiques, en les mêlant à une esthétique contemporaine. Le travail de Gjoen intègre souvent des éléments de street art et de pop art dans une approche propre aux beaux-arts. Il explore des thèmes tels que la relation entre la beauté et la destruction, ainsi que la recontextualisation des objets. Ses œuvres font partie de collections permanentes, notamment celles du Musée d’art de Haïfa et de la collection Daimler, et il a collaboré avec des institutions telles que la Wallace Collection.

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