About the artwork
ZED BLUE EYES,dated circa 1999,is documented as preliminary drawing in Pantone marker and Posca marker on paper,signed,measuring 30 × 21 cm. The corresponding main image shows a preparatory character sketch featuring an orange and blue rounded figure,surrounded by handwritten notes and directional annotations. The composition is organised through the relationship between the central motif and the surrounding field,with the support remaining visibly relevant to the final appearance. Colour,outline,printed information,spray marks,drips,repeated forms or handwritten interventions are described only where they can be seen in the supplied image.
The material description indicates that the work was produced through preliminary drawing in pantone marker and posca marker on paper,signed. This technique helps explain the distinction between mechanically transferred areas and direct manual intervention,where present. The image supplied is sufficient to describe the overall composition,palette and principal motifs,but it should not be treated as confirmation of details that require a close-up or reverse view. The supplied note records the work as signed. No edition number is recorded in the manifest. Any information concerning the back,labels,stamps,certificate,exact placement of a signature or the physical condition derives from the written documentation rather than from an assumed visual reading. No additional narrative elements have been introduced beyond the visible image and the manifest.
Expert opinion
From a cataloguing perspective,ZED BLUE EYES is best positioned within drawing and graffiti-writing,where line,lettering and character construction remain central. Its assessment should begin with the verified object type: preliminary drawing in Pantone marker and Posca marker on paper,signed,dated circa 1999,and an original work or unique object,with no edition statement recorded in the supplied manifest. These factors determine how the work should be compared with other examples. An original drawing,hand-finished proof,prototype,unique variant or sculpture should not be evaluated according to the same criteria as a regular numbered edition,even when the imagery is closely related.
The work’s relevance lies in the connection between its physical manufacture and the visual codes of urban culture. Where the support carries pre-existing information,where the surface includes aerosol,marker,drips or hand-applied colour,or where a printed image is individually modified,these characteristics contribute to its specificity. Edition size,numbering,signature and dating are therefore material catalogue points rather than promotional attributes. No certificate is confirmed by the manifest unless separately supplied. No separate provenance statement is included in the manifest. Condition should be assessed directly,with particular attention to paper edges,folds,abrasions,mounting,surface cracking,frame contact and any difference between the written dimensions and the object itself. No conclusion regarding price,auction performance,rarity or future value is made from the available documentation.
About the artist
Zenoy, also known as William Pinçon, is a French artist based in France. The artist is recognized for working in the field of contemporary art, particularly in the realm of urban art and street art. the artist's practice often involves the use of spray paint and stencils, creating vibrant murals and installations that engage with public spaces. Zenoy has participated in various exhibitions and projects that highlight the intersection of art and urban environments. Zenoy's works are known for their dynamic visual language and social commentary and the artist has gained recognition within the street art community and has contributed to numerous collaborative projects.
Additional info
Signed
3x
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