Charlie Giglia
Welcome to Brooklyn
2023
peinture aérosol et Acrylique on métal sign
30 × 60 × 0.5 cm
Unique
Location: Paris, France
Documents
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Invoice or proof of purchase
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Certificate of authenticity
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Other documents
About the artwork
A rectangular metal sign serves as the substrate for this mixed-media composition,featuring a gradient background from yellow at the top to orange-red at the bottom. Stenciled across the upper portion of the sign are the words "WELCOME TO BROOKLYN" in a sans-serif typeface,rendered in a dark,slightly metallic brown hue with a subtle shadow effect. These letters show a slight textural quality,suggesting application via spray paint through a stencil.
Overlaid on this foundational text is a dynamic graffiti-style rendition of the word "BROOKLYN," executed in bold,bubble-letter forms. This graffiti element is primarily red with white outlines and black drop shadows,adorned with yellow and light blue circular dots,and occasional light blue asterisk-like shapes. The letters are intertwined and extend across the lower two-thirds of the sign,partially obscuring the stenciled text beneath. To the far right,a stylized figure,resembling a character from early graffiti art or cartoons,is depicted in white with black outlines and red accents,holding what appears to be a spray can and pointing.
Expert opinion
This work exemplifies a common practice within the street art movement,where artists appropriate everyday objects or signs as canvases,transforming them through their distinctive visual language. The juxtaposition of the official,stenciled "Welcome to Brooklyn" with the artist's expressive graffiti tag highlights a dialogue between public signage and subcultural intervention,a characteristic theme in urban art. The artist's use of a metal sign further grounds the piece in the material culture of the city.
About the artist
Charlie Giglia, known by various aliases including SAR, VIKING, SZAR, and SARCASTIC 109, is an American artist associated with the street art movement. His career developed within the context of graffiti culture, where he became affiliated with prominent crews such as TMB, MOD, TOP, FAL, and RI. Giglia's practice often involves the reappropriation of public and commercial surfaces, transforming them into canvases for his distinctive lettering and graphic style. His work frequently explores themes of identity, urban landscape, and the ephemeral nature of street art. Through his various monikers, Giglia has established a presence in both underground and more formalized art contexts. His output includes murals, canvas works, and smaller-scale pieces on found objects or commercial labels, reflecting a consistent engagement with the materials and aesthetics of his origins.
Additional info
Signed
3x
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