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Tom Sachs

Too Darn Hot

2020

Screen printing with semi-gloss varnish

77 × 59 cm

Ed. 1102/1337

Location: Nospelt, Luxembourg

https://www.artransfer.com/web/image/product.template/25406/image_1920?unique=22290c8

1,300 € 1300.0 EUR 1,300 €

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About the artwork

Produced in 2021, this edition is inspired by Toms Sachs' "Rocket Factory" project, an exploration of consumer culture and the assembly of multiple identities. The work represents a cobbled-together rocket made up of three different brand components (Trojan, Chanel, Cup Noodles). Through this mix of icons from totally different spheres (luxury, mass-market products and intimate objects), Sachs questions the construction of our identity through brands and mass-produced objects. The apparent simplicity of the drawing, with its thick black outlines and flat tints of color, is reminiscent of his artisanal aesthetic, claimed to be "imperfect", a signature of his "bricolage artistique" approach. Each print in this edition includes a group of mechanisms designed by the artist to guarantee its authenticity, and as integral parts of the artwork. An intaglio drawing includes information about the launch of Sachs' Too Darn Hot physical rocket at LACMA in 2021. A rubber stamp at its center indicates the specific number of the print within the overall edition. There is also a QR code printed in UV ink that links each print to the original Too Darn Hot NFT metadata on the blockchain. On the back of the print is a tamper-proof holographic sticker, placed alongside the QR code sticker, which links to a unique NFT token serving as a certificate of authenticity for the print with which it is associated.

Expert opinion

This work embodies Tom Sachs' distinctive style, while incorporating mechanisms designed by the artist to add a dimension of authenticity and interaction to the work.

About the artist

Born in 1966 in New York, Tom Sachs is a visual artist who lives and works in New York and holds a Bachelor of Arts degree from Bennington College in Bennington, Vermont. His work focuses on denouncing the shortcomings of American society, consumerism, corporate influence, American cultural imperialism, technical progress, identity and the relationship between survival and destruction, often through the assembly of everyday objects and the misuse of instantly recognizable brands and logos. His work has been exhibited at major institutions such as the Gagosian Gallery, the Fondation Cartier and the Park Avenue Armory in New York, notably through his famous Space Program projects.

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