About the artwork
Like a modern-day Greek statue, Onemizer reproduces the full-length portrait of an unidentifiable creature. Its dark gray body is covered in graffiti. While the viewer can read "Old School", "Love" or "Free", the majority of the inscriptions are tags, the pseudonyms of graffiti artists. The artist takes up the codes of street-art and comics with this individual with oversized feet straight out of a fantastic imagination. The projections of black paint that surround him, the white monochrome background and the cast shadow challenge the flatness of the canvas, fooling the viewer. Street Art Toys here refers to a well-known and despised practice in this world: toying. Indeed, the artist seems to be denouncing what can be defined as the act of tagging on an existing structure out of a spirit of revenge or lack of space, describing the "culprit's" lack of experience.
Expert opinion
This human-sized work is exemplary not only for its pictorial technique, but also for the link it forges and preserves with the world of urban art. Indeed, Street Art Toys perfectly matches the aesthetic criteria of graffiti and tagging, and is part of Onemizer's artistic world.
About the artist
Born in 1987, Onemizer is a French artist. Having spent part of his childhood in Africa, he discovered urban art on his return to France. He began his practice with mural productions before switching to canvas. Between pop references and everyday life, Onemizer works with lettering and color, while maintaining a style inspired by tags and graffiti. His first exhibitions were held in Bordeaux and Paris. His art soon became international, and his canvases were exhibited in numerous galleries around the world (Street Art Gallery in Dubai, Go Gallery in Amsterdam, etc.). In 2014, along with a hundred other artists, he took part in the world record for the largest graffiti on canvas, now in the Guinness Book of Records.
“What I really enjoy is spending eight hours on a canvas, doing and redoing, achieving the perfect effect. And at the same time, I like it when there's a flaw, when the viewer can see the energy, the spontaneity.”
Additional info
Signed
Dated
Framed
Proof of authenticity
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