SHUCK-ONE
SPRAY CAN
1999
peinture aérosol et marker sur papier
42 × 30 cm
Oeuvre issue d'une série de petites peintures
Location: Paris, France
Arianee token ID
179306677
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About the artwork
A central spray paint can dominates the composition,rendered with a combination of stenciled forms and freehand application. The can itself is primarily orange,with a vertical gradient of blue paint applied to its left side,creating a visual interplay of colors. A series of dark blue,circular dots runs vertically down the center of the can,punctuated by smaller white dots within each. The background features subtle,diffused orange spray paint marks,suggesting the atmospheric residue of aerosol application. The outlines of the can are defined by a black marker,providing a graphic quality to the central motif. The artist's signature and date are located in the lower right corner,executed in black marker.
Expert opinion
This work belongs to a period when the artist was actively transitioning elements of his street practice into a formal studio setting. The depiction of a spray can,a fundamental tool in graffiti,situates the piece within the iconography of urban art. Its directness and choice of subject matter reflect a self-referential aspect common in the early stages of street art's entry into the art market. The market for works by this artist benefits from the enduring interest in street art and its pioneers,with pieces that clearly articulate the artist's origins often performing well.
About the artist
Shuck-One, born in 1972, is a French artist recognized for his contributions to the graffiti and street art movements. He began his artistic practice in the late 1980s, initially active in the Parisian urban landscape. His early work involved tagging and large-scale murals, establishing his presence within the nascent European graffiti scene. Over time, his practice evolved to include studio-based works on canvas and paper, translating the energy and techniques of street art into a gallery context. He has participated in various exhibitions across Europe and the United States, contributing to the broader acceptance and institutionalization of graffiti as a contemporary art form. His oeuvre often incorporates elements of abstract expressionism alongside figurative and calligraphic motifs derived from his street art origins.
Additional info
Signed
Dated
3x
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