About the artwork
Unfolding on a bright white aluminum plate, this work features black graphs that seem to form an unknown language. Only after a second reading can the viewer read the repetition of the artist's name, JonOne, recalling the origins of graphs and urban art. The key shapes visible when reading the title, Spanish Keys, seem to symbolize the keys needed to decipher JonOne's artistic language. The dynamic, fluid strokes reveal a spontaneous, energetic gesture, emblematic of the artist's style, which tends towards abstraction. This work was presented as part of The Border, an exhibition devoted exclusively to the artist at Galerie Underdogs in Lisbon.
Expert opinion
This work stands out from JonOne's practice for its two-tone palette, giving it a more minimalist feel.
About the artist
Dominican-born John Andrew Parello alias JonOne was born in New York in 1963. A child of Harlem, he cut his teeth bombing the trains and walls of his neighborhood from the age of seventeen. Quickly and completely self-taught, he made the transition from urban medium to canvas, creating paintings influenced by his own life: hip hop, the street and the subway, reproducing the vision of a graffitied train and its drips. JonOne's practice is characterized by "freestyle", a watchword that imposes no limits, making each of his canvases the result of an abstract improvisation. His first solo exhibition, entitled "Graffitism", took place in 1990 at Galerie Gleditsch 45 in Berlin, Germany. This was followed by group and solo exhibitions all over the world (Tokyo, Monaco, Paris, Geneva, New York, Hong Kong, Brussels...), making JonOne a major artist on the contemporary urban scene.
“I was drawn to the street. The street was like a magnet for me. [...] I got a marker and started writing my name, JonOne, on the street.”
Additional info
Signed
Dated
Framed
Proof of authenticity
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