Richard Estes
Shopping Center (from Urban Landscapes III)
1981
Color silkscreen on Fabriano paper
35.6 × 50.8 cm
Ed. /250
Location: Vincennes, France
Documents
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Invoice or proof of purchase
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Certificate of authenticity
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Other documents
About the artwork
This color silkscreen depicts a meticulously rendered urban landscape, focusing on a commercial pedestrian area. The composition features a deep perspective, drawing the viewer's eye down a covered walkway lined with storefronts. On the left, a large display window of a shoe store, possibly "Thom McAn" as indicated by a partial sign, reflects elements of the opposite side of the mall and the overhead structure. The right side of the image reveals another storefront, clearly labeled "SHERMAN shoes," beneath a long, horizontal awning. Architectural details such as striped fascias, overhead lighting, and patterned brick flooring are precisely delineated. The light source suggests an overcast day or an interior mall setting, contributing to the even illumination across the scene. The work captures the sterile yet detailed environment of a modern shopping center.
Expert opinion
Richard Estes is a central figure in the Photorealist movement, known for his technical precision and ability to translate photographic detail into print. This work, from the "Urban Landscapes III" series, exemplifies his characteristic approach to depicting contemporary city scenes and commercial architecture. The market for his prints, particularly those from well-known series, is well-established, appealing to collectors who value the technical mastery and historical significance of Photorealism.
About the artist
Born in 1932 in Kewanee, Illinois, Richard Estes is considered one of the founders of photorealism, a movement that emerged in the 1960s as a reaction to abstraction. A graduate of the School of the Art Institute of Chicago, he moved to New York and began painting urban scenes from his own photographs. His work focuses on reflections, shop windows, buses and empty streets, with impressive technical virtuosity. In contrast to the spontaneity of street photography, his paintings are the fruit of methodical, thoughtful construction. Exhibited in major museums, he is recognized as a cold but fascinating observer of modernity.
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