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Mickalene Thomas

Portrait of Qusuquzah #8

2026

Screenprint

72 × 60 cm

Ed. /99

Location: PARIS, France

https://www.artransfer.com/web/image/product.template/35148/image_1920?unique=1b4258c

2,160 € 2160.0 EUR 2,160 €

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About the artwork

This composition presents a portrait of Qusuquzah, one of the artist's recurring muses, depicted from the chest up and looking upwards and to the right. The subject is rendered with dark skin tones and long, flowing dark hair accented with gold highlights, wearing a deep purple garment. Her eyes are accentuated with light blue eyeshadow, and her lips are painted a glossy red. She wears large circular earrings and a necklace with a prominent oval pendant. A yellow rose with red tips and green leaves is held in the foreground, resting against her arm. The background features a warm, golden-orange hue, providing a contrast to the figure. The surface of the print incorporates metallic shimmer layers alongside gloss and matte varnishes, contributing to a tactile and visually rich aesthetic. This approach amplifies the intricate textures characteristic of the artist's mixed-media practice. The portrayal of Qusuquzah aligns with Thomas's broader exploration of Black female identity and beauty, often presenting her subjects with a sense of self-possession and directness. The artist frequently uses her muses to challenge traditional portraiture and the historical male gaze, offering a perspective that centers Black women's experiences and agency. This particular image, created in 2008, is part of a series featuring Qusuquzah, a model who embodies the confidence and individuality that Thomas seeks to capture in her work.

Expert opinion

Mickalene Thomas's work is situated within contemporary art, particularly within the discourse surrounding identity politics and the representation of Black women in art history. Her practice engages with and reinterprets art historical tropes, such as the odalisque, by centering Black female figures and infusing them with contemporary agency. The artist's market position is established, with her works held in significant public and private collections globally. Her use of mixed media, including rhinestones and glitter, combined with her thematic focus, has created a recognizable aesthetic that resonates with collectors interested in works that address issues of race, gender, and representation. Thomas is part of a generation of Black female artists whose work has gained increasing recognition and value in the art market.

About the artist

Born in Camden in 1971, Mickalene Thomas is an American painter and photographer. Trained at Southern Cross University, Lismore (1998), she holds a Bachelor of Fine Arts in painting from Pratt Institute, Brooklyn (2000), and a Master of Fine Arts from Yale University School of Arts, New Haven (2002). She is best known for her intricate paintings using rhinestones, acrylic and enamel. Her work draws on Western art history, pop art and visual culture to examine ideas of femininity, beauty, race, sexuality and gender. Her first major solo exhibition was held in 2012 at the Brooklyn Museum in New York and the Santa Monica Museum of Art in California. She has since enjoyed several solo exhibitions, but has also participated in a large number of group shows at the International Center of Photography in New York, the Museum of African Diaspora in San Francisco and the New Museum of Contemporary Art in New York. Mickalene Thomas has been represented by Galerie Nathalie Obadia since 2014.

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