Cleon Peterson
Pissers White
2018
Black and red silkscreen on paper
66 × 48.5 cm
Ed. 101/150
Location: Montreuil, France
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About the artwork
With an aesthetic reminiscent of Antiquity, the artist reproduces a contemporary struggle that occupies the socio-political sphere, that which pits citizens against the forces of law and order. The scene, which may seem comical at first glance, implies great violence on the part of the two hate-faced figures urinating on a man on the ground. The artist reinforces the brutality of the scene by using a restricted palette, in which red, the color of blood, takes center stage.
Expert opinion
Cleon Peterson's emblematic figures, this work illustrates the violence of today's society, depicted in the artist's work. His work can currently be seen in the urban art exhibition at the Petit Palais (Paris).
About the artist
Born in Seattle in 1973, Cleon Peterson lives and works in Los Angeles. Brought up in an environment conducive to artistic creation, his work is notably nourished by his experiences on the streets of New York in the 1990s, where he fell into drug addiction, alternating between prison and a psychiatric hospital. In his work, he depicts urban tensions and violence, disorder and bloody impulses, free from morality and justice. Through his "flat" aesthetic, the artist invokes the influence of ancient Greek vases and the creations of Matisse. He modernizes these references by fusing them with his mastery of graphic design and his familiarity with underground cultures. First recognized for his illustrative work in the skateboarding world, Cleon Peterson joined Shepard Fairey's Californian team in 1998. Since then, he has held solo exhibitions, the first of which took place in Los Angeles. In 2014, he created a monumental fresco at the Palais de Tokyo, followed in 2016 by a 700 m2 painting on the forecourt of the Eiffel Tower in Paris.
“I focus on the negative because I have no problem with the positive. The world is already full of positivist art. This art is great and serves to beautify, but it doesn't address the issues I consider important and relevant to all of us.”
Additional info
Signed
Framed
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