Skip to Content

Ben Allen

Occasional Magic

2016

A limited edition of 10 hand-finished silkscreen prints, unnumbered because each one is different and unique, composed of collages of torn poster pieces applied by hand to a giclée print on 330 g Fabriano watercolor paper, all covered with a layer of varnish.

80 × 55 cm

Ed. /10 — A limited edition of 10 hand-finished screen prints, unnumbered as each is different and unique, featuring collages of torn poster fragments applied by hand onto a giclée print on 330g Fabriano watercolour paper, finished with a layer of varnish.

Location: Paris, France

https://www.artransfer.com/web/image/product.template/38141/image_1920?unique=4301dbc

420 € 420.0 EUR 420 €

  • Color

This combination does not exist.

ARTRANSFER Digital Passport
Arianee token ID 49599809
Share by Email

Documents

  • Invoice or proof of purchase
  • Certificate of authenticity
  • Other documents

About the artwork

"Occasional Magic" by Ben Allen is a limited edition of 10 hand-finished silkscreen prints; they are unnumbered because each one is different and unique. The work features collages of torn poster fragments, applied by hand to a giclée print on 330 g Fabriano watercolor paper, all covered with a layer of varnish. It measures 80 × 55 cm. The head of a deer or black antelope, complete with antlers, forms the central silhouette against a background richly layered with torn images, paint, splatters, and gestural marks. Patches of pink, blue, yellow, white, and black overlap, creating a weathered surface reminiscent of a collage. The description is based on the main image provided and is limited to elements visible at this scale; it does not assume the presence of inscriptions on the reverse, labels, certificates, or other details, unless these are mentioned separately in the documentation. The note provided indicates a handwritten signature or a signed element. The catalog states that the work dates from 2016. The information provided regarding the edition is as follows: “edition of 10 copies, all unique.” The medium and technique are particularly important for interpreting the work. Printed areas, marker strokes, spray-painted sections, collage elements, layers of paint, cut edges, or three-dimensional components remain visually distinct and help elucidate the image’s composition. When the record mentions hand-finished details, a signature, numbering, or an artist’s proof, these elements must be verified using the corresponding detailed photographs during the final physical cataloging. Comments on condition are limited to the provided note and visible evidence; normal variations associated with handmade, recycled, or previously used materials should not automatically be classified as damage without direct examination.

Expert opinion

From a cataloging perspective, “Occasional Magic” lies at the intersection of printmaking and urban art. The appeal of this work lies primarily in the relationship between its creation date—2016—and its medium: a limited edition of 10 hand-finished silkscreen prints, unnumbered because each is different and unique, featuring collages of torn poster fragments applied by hand to a giclée print on 330 g Fabriano watercolor paper, as well as a layer of varnish—and the degree of visible manual intervention in the work. The market category should not be determined solely by the artist’s name: the medium, the structure of the edition, the signature, the date, the provenance, and the condition all have a concrete impact on how the work should be compared to other examples. The recorded information regarding the edition—“an edition of 10, all unique”—is essential for classification. The numbering, signature, proof status, and any variations related to hand-finishing must be verified together, as these details distinguish this copy from the standard edition. The accompanying file does not constitute a separate certificate, unless otherwise indicated in the original documentation. Any assessment of condition must take into account the specific medium, whether it be paper with frayed edges, recycled cardboard, used banknotes, vinyl, skateboard wood, or unstretched canvas, as these materials may exhibit intentional or inherent surface characteristics. For an informed evaluation, the image must be examined alongside close-ups of the signature, numbering, inscriptions on the reverse, publisher’s or gallery marks, and any certificate. The available information is sufficient for a conservative catalog listing, but it does not provide verified auction comparisons, a history of institutional exhibitions, or market performance data. Therefore, no estimates, investment conclusions, or claims of rarity are made. The work is evaluated, at best, as a documented object within its specific medium and context of production, with an emphasis on authenticity, integrity, and physical condition.

About the artist

Ben Allen is a contemporary British artist, born in 1979, known for his work in Pop Art and Street Art. He is a self-taught artist who began his career after traveling extensively, including to Indonesia and Mexico, and was influenced by urban subcultures such as surfing and skateboarding. Allen established a studio in Brighton upon returning to the UK and later moved to Cornwall. His artistic practice draws inspiration from graffiti, tattoo art, record covers, and 1970s culture. Allen's oeuvre often features a collage style, incorporating elements from popular culture. He utilizes a range of materials including acrylics, spray paint, screen printing, and various papers. His works have been exhibited internationally and are held in private collections across the UK, Europe, Australia, Asia, and America. Allen has also undertaken commercial collaborations with brands such as Levi's, Virgin, Nokia, Vans, and Converse.

Additional info

Signed Dated 3x

OTHER ARTWORKS YOU MAY LIKE