Shepard Fairey (OBEY)
Noise and Lies (RED)
2018
Screen printing
61 × 46 cm
Ed. 318/325
Location: Paris, France
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About the artwork
When a figure extends a hand, a triangular inscription in white capital letters on a red background appears to emanate from it. This figure, drawn in black lines, remains deliberately anonymous and becomes a symbol of a person manipulated by society. The phrase “Noise & Lies” echoes the lyrics of John Lennon’s song “Gimme Some Truth” and serves as a response to the disregard for facts and truth displayed by Donald Trump and members of his administration. Shepard Fairey, a master at blending aesthetics with a message, draws inspiration from propaganda posters to create this striking visual work. Through his graphic choices, he not only evokes the visual communication techniques used by authoritarian regimes but also highlights how information can be distorted for political purposes.
Expert opinion
Characteristic of his style, with its recognizable typography and striking visual elements, this work invites us to reflect on our own relationship to information and truth.
About the artist
American artist, born in 1970. Lives and works in Los Angeles (USA). Muralist, illustrator and silkscreen artist, Shepard Fairey (Obey) is one of the most influential figures in urban art. Influenced by Andy Warhol, Barbara Kruger and Diego Rivera, he is best known for the HOPE portrait of Barack Obama he created for his presidential campaign in 2008, which has since been acquired by the National Portrait Gallery (Washington, USA). Following the attacks in France on November 13, 2015, Shepard Fairey created a Marianne with the motto "Liberté, Égalité, Fraternité", a work that has now become a national symbol and is on display at the Élysée Palace. In 2019, he will create his hundredth fresco at Place Igor Stravinsky in Paris, next to the Centre Pompidou. Internationally renowned, Shepard Fairey can be found in the collections of the Smithsonian (Washington, USA), the Museum of Modern Art (New York, USA) and the Victoria and Albert Museum (London, UK). He has also exhibited in prestigious venues such as the Fondation Cartier for the "Né dans la rue - Graffiti" exhibition in 2009, and the Institute of Contemporary Art in Boston (USA), where his retrospective "Supply & Demand" was organized in 2009.
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