Denial
NO LIKES
2020
Screenprint on metal sign
45.72 × 30.48 × 0.1 cm
Ed. 1/10 — édition de 10 signée et numérotée avec certificat d'authenticité
Location: Paris, France
Documents
-
Invoice or proof of purchase
-
Certificate of authenticity
-
Other documents
About the artwork
This composition features a white rectangular sign with a red border,reminiscent of a regulatory or warning sign. The words "NO" and "LIKES" are prominently displayed in black sans-serif capital letters at the top and bottom of the sign,respectively. Central to the piece is a red circle with a diagonal line through it,indicating prohibition,overlaid on an outline of a hand giving a "thumbs up" gesture. The thumb in the gesture is rendered in a blue square,directly referencing the "Like" button icon commonly associated with social media platforms. The artwork functions as a commentary on contemporary digital culture and the societal emphasis on social media validation. By presenting the universally recognized "Like" symbol within a prohibition sign,the artist draws attention to the potential negative aspects or over-reliance on online approval. The visual language of a public sign suggests a directive or a statement of fact,prompting viewers to consider the implications of a "no likes" environment.
The piece utilizes graphic simplicity and direct iconography to communicate its message. The color palette of red,white,blue,and black is stark and immediately recognizable,enhancing its visual impact and legibility. The combination of familiar symbols from both public signage and digital interfaces creates a juxtaposition that encourages reflection on the pervasive influence of social media in daily life.
Expert opinion
The artist operates within the broader context of Street Art and Pop Art,drawing on visual vernaculars associated with both movements. The use of stenciling,bold graphics,and social commentary aligns with traditions established by artists who engage with public space and popular culture. The market for the artist's work reflects a collector base interested in contemporary social critique presented through accessible visual forms. The artist's works,particularly prints and graphic arts,have been offered at auction with realized prices generally ranging from a few hundred to a few thousand USD. The consistent presence of his works in various galleries and ongoing exhibitions indicates a steady demand. The artist's critique of consumerism and digital culture resonates with contemporary audiences,contributing to the sustained interest in his output.
About the artist
Daniel Joseph Bombardier, known by his pseudonym Denial, is a Canadian muralist and urban artist born in 1976. His artistic career began in 1999, involving him in the graffiti and street art movement. Denial adopted his moniker as a commentary on advertising, politics, and media messages that contemporary society often overlooks.
Denial's work critiques modern society, focusing on themes such as politics, capitalism, and consumer-driven culture. He employs aerosol and stencil art, often re-appropriating iconic imagery and text to convey social and political commentary. His practice includes large-scale murals and an extensive global street campaign involving over 500,000 stickers and placards. Denial has exhibited in galleries and museums internationally, including the Museum of Contemporary Art in Detroit. He has also engaged in projects like 'Free 4 All Walls' to beautify public spaces.
Additional info
Signed
3x
OTHER ARTWORKS YOU MAY LIKE
Your Dynamic Snippet will be displayed here...
This message is displayed because you did not provide both a filter and a template to use.























