About the artwork
This unusual scene takes place in an ideal kitchen setting. We see a woman on her knees, drinking juice straight from her juicer. From her blow-dry to her outfit, this woman meets all the stereotypes of 1960s glamour and the housewife. Yet she contradicts the viewer's expectations by adopting this indecent posture. The viewer, now a voyeur, contemplates a carefully orchestrated mise-en-scène that is at odds with reality. Indeed, the kitchen décor is perfectly organized into two triangles of complementary colors, a yellow and a pastel blue on which oranges are arranged. Our protagonist, with her blood-orange hair, breaks this geometry while complimenting it with her outfit, which incorporates the three main colors. The citrus press has a shiny, chrome-plated appearance that sets it apart from the other elements, as if it had been glued to or substituted for another. In this way, the theatricality of the decor and the suggestiveness of the scene create a universe somewhere between kitsch and beauty.
Expert opinion
This photograph is characteristic of Miles Aldridge's world. His taste for glamorous, cynical staging can be seen in his masterful compositions, which play with the codes of fashion photography.
About the artist
Born in London in 1964, Miles Aldridge is a fashion photographer who graduated from London's Central Saint Martins College of Art and Design in 1987. He came to prominence in the 1990s for his glamorous, colorful photographs. His photographs feature surrealist and pop stagings, which tend to exaggerate social stereotypes in order to reveal their shortcomings. According to the artist, documenting reality can be less honest than staging it. As a result, her photographs take the form of cinematic clichés, in which the female figure is often the main character. His work received worldwide acclaim after publication in Vogue magazine in 1996, and has since appeared in magazines such as The New York Times Magazine and Haper's Bazaar. He has been the subject of numerous solo exhibitions, including at the Fotografiska Museum in New York and Stockholm in 2021, and at the Lumiere Brothers Photography Centre in Moscow in 2019. His work has also been included in prestigious museum collections, including those of the Albert Museum and the British Museum in London, the Fondation Carmignac in Paris and the International Centre of Photography in New York.
Additional info
Signed
Dated
Framed
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