Chéri Samba
N'ES-TU PAS ESCRO?, DIERICKX?
1981
Oil on canvas (flour sack)
95 × 85 cm
Unique
Location: Bruxelles, Belgium
Documents
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Invoice or proof of purchase
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Certificate of authenticity
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Other documents
About the artwork
This work represents a settling of scores between artist Chéri Samba and one of his collectors, Dierrickx. At the center of the composition is a weeping man seated at a table, reading a long letter written by Chéri Samba. The text tells us that Dierrickx had swindled the young Congolese artist by promising him materials in payment for his paintings, a promise he failed to keep. Behind Dierrickx hang two works to which the text refers and which form the heart of the imbroglio between the artist and his collector. The tiling, which responds to the wallpaper motif, and the angle chosen by the painter create a sense of enclosure. As usual, Chéri Samba has incorporated a subtitle into the composition, as well as a long upside-down text that is not easy to read, but contains the keys to understanding this pictorial intrigue. This work bears witness to the life and misadventures of a young artist who is still little known and poorly paid, attracting the malice of some.
Expert opinion
Due to its controversial nature, this work has never been exhibited. This is the first time it has been removed from a private collection, where it has been since its purchase from the artist's studio in Kinshasa in 1981.
About the artist
Chéri Samba was born in 1956 in Kinto M'Vuila in the Democratic Republic of Congo. He lives and works in Kinshasa. Although Chéri Samba began his career as a designer of advertising signs in Kinshasa in 1972, it was not until 1979 that he began to sign paintings with his own name. His work, which depicts scenes from everyday life, differs from the productions of his time in its use of text in the form of subtitles or prose directly integrated into the composition, addressing political or economic subjects. Chéri Samba's canvases reflect a tormented Africa in which he positions himself as a militant observer. He quickly attracted the attention of dealers and galleries the world over, and made his way into major collections such as the Centre Pompidou, MoMA and the LVMH Foundation.
“Artists make the world. A world without artists is unthinkable. They say artists are little gods. Leaders must listen to us because we are the voice of the people.”
Additional info
Signed
Dated
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