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Zoulikha Bouabdellah

Le Rouge et le Noir

2008

Mixed media

120 × 150 cm

Unique

Location: Paris, France

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2,930 € 2930.0 EUR 2,930 €

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About the artwork

In this installation, created in 2008, video and visual artist Zoulikha Bouabdellah presents underwear and hijabs side by side. The triptych evokes the tension that can exist in Muslim tradition over the vision of the free, modern, sensual woman. She says: "Yes, women's modernity can be reconciled with Islam, provided the latter is not deviated to become an instrument of domination". Through her work, Zoulikha Bouabdellah proposes a protean art of transgression, questioning social, religious and political issues in which the place of women seems to be paramount. This work is quoted in a Télérama article of January 29, 2015 dedicated to the artist.

Expert opinion

This work by Zoulikha Bouabdellah is typical of her work as a visual artist questioning the status of women through social, political and cultural prisms. Le Rouge et le Noir is mentioned in an article dedicated to the artist by Télérama in 2015. Zoulikha Bouabdellah's work has been shown in many renowned public institutions, including the Centre Pompidou, the Tate Modern, WIELS, the Brooklyn Museum and the Venice and Dakar Biennales.

About the artist

Born in 1977. Lives and works between Paris (France) and Casablanca (Morocco). A 2002 graduate of the École Nationale Supérieure des Beaux-Arts de Paris-Cergy, Zoulikha Bouabdellah develops an art of transgression in which she questions the multiplicity of cultural identities. Through social, political and religious prisms, her installations, videos and drawings raise issues of conflict, sexuality and the status of women. Her work Silence (2015), for example, depicts prayer rugs in the colors of France, with women's stiletto heels on top. Combining the sacred and the profane, Muslim tradition and Western modernity, this work caused quite a stir at the "Femina ou la réappropriation des modèles" exhibition in Clichy-la-Garenne. With humor, without violence, Zoulikha Bouabdellah proposes an art of détournement that deconstructs the way we look at things, shaped by our cultural tropisms. Her work has been shown in renowned public institutions such as the Centre Pompidou (Paris, France) for the exhibition Africa Remix (2005) and Modernités Plurielles (2014), at the Tate Modern (London, UK) for the Paradise Now festival (2008), at WIELS (Brussels, Belgium) for the exhibition Body Talk (2015) and at the Venice and Dakar Biennales. Zoulikha Bouabdellah has won numerous awards, including the Prix Meurice pour l'Art Contemporain (Paris, France) and the Villa Médicis Hors les Murs (Rome, Italy).

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