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ETNIK (Alessandro Battisti)

LABIRINTO 1

2020

Acrylic paint and markers on wood panel

30 × 21 cm

Unique

Location: Paris, France

https://www.artransfer.com/web/image/product.template/38023/image_1920?unique=1b8cc45

380 € 380.0 EUR 380 €

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Documents

  • Invoice or proof of purchase
  • Certificate of authenticity
  • Other documents

About the artwork

LABIRINTO 1,dated 2020,is documented as Acrylic paint and markers on wood panel,measuring 30 × 21 cm. The corresponding main image shows a geometric labyrinth of architectural blocks and stairs in blue,violet,grey,white and ochre,above a lower field of repeated circular forms. The composition is organised through the relationship between the central motif and the surrounding field,with the support remaining visibly relevant to the final appearance. Colour,outline,printed information,spray marks,drips,repeated forms or handwritten interventions are described only where they can be seen in the supplied image. The material description indicates that the work was produced through acrylic paint and markers on wood panel. This technique helps explain the distinction between mechanically transferred areas and direct manual intervention,where present. The image supplied is sufficient to describe the overall composition,palette and principal motifs,but it should not be treated as confirmation of details that require a close-up or reverse view. The supplied note records the work as signed,dated. No edition number is recorded in the manifest. Any information concerning the back,labels,stamps,certificate,exact placement of a signature or the physical condition derives from the written documentation rather than from an assumed visual reading. No additional narrative elements have been introduced beyond the visible image and the manifest.

Expert opinion

From a cataloguing perspective,LABIRINTO 1 is best positioned within drawing and graffiti-writing,where line,lettering and character construction remain central. Its assessment should begin with the verified object type: Acrylic paint and markers on wood panel,dated 2020,and an original work or unique object,with no edition statement recorded in the supplied manifest. These factors determine how the work should be compared with other examples. An original drawing,hand-finished proof,prototype,unique variant or sculpture should not be evaluated according to the same criteria as a regular numbered edition,even when the imagery is closely related. The work’s relevance lies in the connection between its physical manufacture and the visual codes of urban culture. Where the support carries pre-existing information,where the surface includes aerosol,marker,drips or hand-applied colour,or where a printed image is individually modified,these characteristics contribute to its specificity. Edition size,numbering,signature and dating are therefore material catalogue points rather than promotional attributes. No certificate is confirmed by the manifest unless separately supplied. No separate provenance statement is included in the manifest. Condition should be assessed directly,with particular attention to paper edges,folds,abrasions,mounting,surface cracking,frame contact and any difference between the written dimensions and the object itself. No conclusion regarding price,auction performance,rarity or future value is made from the available documentation.

About the artist

Alessandro Battisti, operating under the moniker ETNIK, is an Italian artist born in Florence in 1972. He began his artistic journey in the late 1980s as a graffiti writer, contributing to the nascent street art scene in Italy. Over time, his practice evolved from illicit outdoor interventions to studio-based creations, incorporating elements of abstract geometry and architectural forms. His work is characterized by a distinctive style that merges the spontaneity of graffiti with structured, often three-dimensional compositions. Battisti has participated in numerous exhibitions across Europe and North America, establishing a presence in both urban art festivals and contemporary galleries. His career trajectory reflects a common path for graffiti artists transitioning into the fine art world, maintaining a connection to their street origins while exploring new mediums and conceptual frameworks.

Additional info

Signed Dated 3x

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