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Sophie Mabille

La Sentinelle des docks

2002

Silver print, aluminum laminate and patinated steel frame

80 × 120 cm

Ed. 1/10

Location: Paris, France

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2,030 € 2030.0 EUR 2,030 €

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About the artwork

Taking industrial architecture as its subject, this large-format work by Sophie Mabille can be seen as a quotation of the work of photographers Hilla and Bernd Becher, who shot factories, mine shafts and water towers in the 1950s. The use of black and white, and the choice of a silver print, give the photographs an aged tinge and amplify this homage. Far from being documentary, Sophie Mabille's photographs see architecture as a starting point for a new emotion, not as an end in itself.

Expert opinion

Architecture and spatial planning are at the heart of Sophie Mabille's work, themes she explored for the marketing of prestigious brands such as Dior before devoting herself entirely to photography. Far from the fragment she regularly questions in her practice, this photograph recalls the iconic work of the couple Hilla and Bern Becher, who established industrial architecture as a new artistic motif.

About the artist

Sophie Mabille grew up in Paris, where she began her photographic adventure in high school as an assistant to photographer Bernard Esclapez. She continued this activity after graduating from high school, and stopped it on the occasion of a linguistic stay in New York, during which she enrolled at the School of Visual Arts. On her return to France, and under parental pressure, the artist worked in the marketing departments of prestigious brands-Dior to name but one. It wasn't until 2003 that Sophie Mabille decided to make art her main practice. In her practice, images are fundamental. It is through images that she manages to "transcend the banality of everyday life", while linking this everyday life to contemporary issues. Sometimes, the artist adds other materials (resin, concrete, paint, etc.) to these images to give them a new dimension, transforming the visual object into a physical one.

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