ZENOY aka William Pinçon
la boulette
2000
Marker et encre sur papier
21 × 29.7 cm
Unique
Location: Paris, France
Documents
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Invoice or proof of purchase
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Certificate of authenticity
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Other documents
About the artwork
A stylized character,rendered in marker and ink,occupies the central space of this composition. The figure features an oversized spray paint can for a head,colored in orange with white circular accents,and a small,smiling human face emerging from beneath. Its body consists of thin limbs,with one hand holding a black spray nozzle,from which a white,speech-bubble-like cloud emanates. The character wears large,white sneakers with grey detailing,suggesting a dynamic stance. The entire figure is outlined in a light blue,creating a distinct separation from the white background. A small signature and date "2000" appear in the lower right corner,while some orange marks are visible in the upper right.
Expert opinion
This artwork sits within the context of contemporary urban art,specifically reflecting the character-driven aesthetic prevalent in graffiti and street art from the late 20th and early 21st centuries. The use of a spray can as a central motif and the graphic style align it with artists who emerged from this subculture,translating its visual language into gallery-appropriate formats. The market for ZENOY's work benefits from the established collector base for street art,with his archival pieces offering insight into the development of his signature iconography.
About the artist
William Pinçon, known professionally as Zenoy, is a French artist born in 1978. He began his artistic journey in the late 1980s, immersing himself in the burgeoning graffiti scene of Paris. His early work was characterized by a focus on lettering and tagging, which he honed through extensive practice on city walls and trains. Zenoy quickly became a prominent figure within the Parisian graffiti community, developing a distinctive style that combined traditional wildstyle elements with unique graphic flourishes. Throughout the 1990s, Zenoy expanded his repertoire beyond street art, translating his urban aesthetic into studio works. He began to explore various mediums, including canvas, paper, and sculpture, while retaining the energy and visual language of graffiti. His career trajectory reflects a common path for many street artists who transition from ephemeral public interventions to more permanent gallery-based practices, contributing to the broader recognition of graffiti as a legitimate art form. He is associated with crews such as DKC, D77, OPR, and DUC.
Additional info
3x
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