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Shepard Fairey (OBEY)

Factory Stacks (Earth First)

2022

Screen printing

61 × 45.5 cm

Ed. 258/350

Location: Paris, France

https://www.artransfer.com/web/image/product.template/4492/image_1920?unique=3db916c

420 € 420.0 EUR 420 €

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About the artwork

This work, composed of blue, red and yellow fragments, depicts a fossil plant with its two imposing chimneys at its center. With this representation, the artist demonstrates his ecological commitment by focusing on the harmful climatic consequences of fossil fuel industries. Going further, Shepard Fairey donates part of the proceeds from the sale of this print to Greenpeace, supporting the fight against climate change.

Expert opinion

This work, characteristic of the artist's plural struggles, bears witness to Shepard Fairey's commitment to the environment.

About the artist

American artist, born in 1970. Lives and works in Los Angeles (USA). Muralist, illustrator and silkscreen artist, Shepard Fairey (Obey) is one of the most influential figures in urban art. Influenced by Andy Warhol, Barbara Kruger and Diego Rivera, he is best known for the HOPE portrait of Barack Obama he created for his presidential campaign in 2008, which has since been acquired by the National Portrait Gallery (Washington, USA). Following the attacks in France on November 13, 2015, Shepard Fairey created a Marianne with the motto "Liberté, Égalité, Fraternité", a work that has now become a national symbol and is on display at the Élysée Palace. In 2019, he will create his hundredth fresco at Place Igor Stravinsky in Paris, next to the Centre Pompidou. Internationally renowned, Shepard Fairey can be found in the collections of the Smithsonian (Washington, USA), the Museum of Modern Art (New York, USA) and the Victoria and Albert Museum (London, UK). He has also exhibited in prestigious venues such as the Fondation Cartier for the "Né dans la rue - Graffiti" exhibition in 2009, and the Institute of Contemporary Art in Boston (USA), where his retrospective "Supply & Demand" was organized in 2009.

“These "Factory Stacks" images combine the stark, angular power of factory architecture with graphic elements commenting on what we promote and embrace as a society, even when these things are destructive.”

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