Sui Jianguo
Dinosaure made in China
2002
Sculpture in red polyresin
87 × 35 × 61 cm
Edition 17/1000
Location: Sainte Maxime, France
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About the artwork
The work Dinosaure / Made in China belongs to the emblematic series initiated by Sui Jianguo in the early 2000s. Inspired by the large-scale production of plastic toys in Chinese factories, the artist hijacks the figure of the dinosaur, a symbol of both childhood and industry, to turn it into a critical metaphor for mass production and Chinese cultural identity. The inscription "Made in China", visible on certain monumental versions, questions the notion of origin and value in a globalized world.
Made in red polyresin, this sculpture condenses several major themes in Sui Jianguo's work: the transformation of matter, industrial memory and the tension between tradition and modernity. With its playful appearance and bright color, the work plays on the ambiguity between consumer object and artistic icon, while paying homage to a changing China.
About the artist
Sui Jianguo, born in 1956 in Qingdao (Shandong province, China), is one of the most influential sculptors on the Chinese contemporary scene. Trained at the Shandong University of Arts and then at Beijing's Central Academy of Fine Arts (CAFA), where he later taught and headed the sculpture department, he now lives and works in Beijing. His work explores with symbolic force the collective memory and political, economic and cultural mutations of modern China. Through emblematic series such as Mao's Coats Molded in Vacuum, Dinosaurs / Made in China and Blind Portraits, Sui questions the weight of the ideological past, the notion of absence and the tension between tradition and globalization. His work, combining conceptual power and technical mastery, blends industrial materials, new technologies and philosophical reflection on form and emptiness. Presented in numerous international institutions - from the British Museum in London to Hong Kong's M+ - he is recognized as a pioneer of contemporary Chinese sculpture and a major figure in the dialogue between art and society.
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