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Shepard Fairey (OBEY)

Damaged

2018

Screen printing on paper

46 × 61 cm

Ed. 365/450

Location: Genève, Switzerland

https://www.artransfer.com/web/image/product.template/25357/image_1920?unique=b3e8b3a

870 € 870.0 EUR 870 €

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About the artwork

In Damaged Icon, Shepard Fairey presents his most emblematic motif: the stylized face of André the Giant. This face-turned-logo, at once inexpressive and imposing, is here revisited in a "damaged" version, featuring cracked textures and a background reminiscent of a damaged poster, almost torn from an urban wall. The work is part of the Damaged series, in which Fairey explores the idea of the corruption of symbols, the decline of authority figures, and critical reflection on the power of the image. Damaged Icon is both a conceptual self-portrait of Shepard Fairey's work and a visual critique of the power of symbols in contemporary society.

Expert opinion

This work, which uses Shepard Fairey's visual codes, is a tribute to his own heritage, but also a reflection on the status of the image in political art.

About the artist

American artist, born in 1970. Lives and works in Los Angeles (USA). Muralist, illustrator and silkscreen artist, Shepard Fairey (Obey) is one of the most influential figures in urban art. Influenced by Andy Warhol, Barbara Kruger and Diego Rivera, he is best known for the HOPE portrait of Barack Obama he created for his presidential campaign in 2008, which has since been acquired by the National Portrait Gallery (Washington, USA). Following the attacks in France on November 13, 2015, Shepard Fairey created a Marianne with the motto "Liberté, Égalité, Fraternité", a work that has now become a national symbol and is on display at the Élysée Palace. In 2019, he will create his hundredth fresco at Place Igor Stravinsky in Paris, next to the Centre Pompidou. Internationally renowned, Shepard Fairey can be found in the collections of the Smithsonian (Washington, USA), the Museum of Modern Art (New York, USA) and the Victoria and Albert Museum (London, UK). He has also exhibited in prestigious venues such as the Fondation Cartier for the "Né dans la rue - Graffiti" exhibition in 2009, and the Institute of Contemporary Art in Boston (USA), where his retrospective "Supply & Demand" was organized in 2009.

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