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Gregos

Barcode

2019

Acrylic, spray and plaster on canvas

51 × 61 cm

Unique

Location: Paris, France

https://www.artransfer.com/web/image/product.template/27012/image_1920?unique=7bafc73

1,030 € 1030.0 EUR 1,030 €

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About the artwork

A black-and-white composition depicts a three-dimensional plaster face emerging from a two-dimensional barcode pattern. The face, rendered in a pale, almost white tone, appears to pass through the vertical black bars, which are depicted as curving and warping around the sculptural element. The figure’s hands are visible, clutching the bars of the barcode as if trying to pull them apart. Below the central image, the numbers “0123456789.” are printed in a large, bold font, mimicking the numerical sequence typically found beneath a barcode. The overall impression is one of confinement and struggle against a system of categorization and commodification. The use of plaster for the face and hands provides a tactile contrast to the flat painted background, reinforcing the figure’s sense of physical presence and exertion.

Expert opinion

This work is part of the contemporary urban art movement, blending traditional painting techniques with sculptural elements. The artist’s use of the barcode motif addresses themes of identity, consumerism, and societal control, which are common in postmodern and conceptual art. The integration of a three-dimensional face into a two-dimensional graphic creates a visual tension characteristic of the artist’s overall practice. The market for the artist’s unique mixed-media works remains stable, with consistent interest from collectors of contemporary urban and figurative art.

About the artist

Gregos is a French artist known for his distinctive 3D plaster faces, which he installs on walls in urban settings around the world. Born in 1976, he began his artistic journey in the urban art scene, initially working with graffiti before developing his signature sculptural technique. His work often explores themes of identity, anonymity, and human connection within the urban landscape. His career has taken him from clandestine street interventions to gallery exhibitions and international art fairs. Gregos’s practice involves creating plaster casts of his own face, which he then paints and installs, making each piece a self-portrait shared with the public. This approach has earned him recognition and a devoted following in the contemporary art market.

Additional info

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