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PART-ONE aka Enrique Torres

ARIES

1988

Marker sur papier

23 × 30 cm

Unique

Location: Paris, France

https://www.artransfer.com/web/image/product.template/35079/image_1920?unique=8bfcb4b

480 € 480.0 EUR 480 €

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Arianee token ID 570410602
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  • Certificate of authenticity
  • Other documents

About the artwork

This composition features a stylized letter-based design rendered in marker on paper. The central element consists of bubble-style letters outlined in a light blue hue,filled with a darker blue and further embellished with circular patterns of varying sizes. A bold,dark purple drop shadow provides depth to the lettering. The entire word is set against a cloud-like background,executed in shades of pink and magenta,with a final brown outline creating a layered effect. In the upper left corner,a smaller,red tag signature reads "ARIES" with the year "88" and a star,alongside the artist's tag "PART-ONE". Two small holes are visible at the top edge of the paper,suggesting it may have been part of a sketchbook or mounted.

Expert opinion

This work represents a characteristic example of early graffiti art on paper,a format often used by artists to develop and refine their styles before executing larger pieces. The use of vibrant markers and layered letterforms is typical of the era and the specific aesthetic associated with New York's subway art movement. As a historical document,it provides insight into the stylistic evolution of a key artist within the Street Art context. The market for such pieces is driven by their authenticity,the artist's historical significance,and their connection to the foundational period of the movement.

About the artist

Enrique Torres, known as PART-ONE, is an American artist recognized for his contributions to the early New York City graffiti scene. Active since the 1970s, he emerged from the Bronx, becoming a member of prominent crews such as The Death Squad (TDS) and The Crazy Five (TC5). His work developed during a formative period for the art form, characterized by experimentation with letter styles and color schemes on subway trains. Torres's career progressed from illegal street art to gallery exhibitions, establishing him as a historical figure within the Street Art movement. His practice includes both large-scale murals and smaller works on paper, documenting the evolution of his distinct aesthetic.

Additional info

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