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Julie Legrand

Antinomy

2021

Column made from assembled glass objects

29 × 18 × 18 cm

Unique

Location: LA HULPE, Belgium

https://www.artransfer.com/web/image/product.template/38181/image_1920?unique=4ea179d

3,240 € 3240.0 EUR 3,240 €

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About the artwork

Blown and joined glass elements form a vertical vessel structure comprising a bulbous lower body in translucent purple and a cylindrical stopper or neck component in transparent green. The composition relies on the contrast between the volumetric curvature of the lower sphere and the geometric rigidity of the upper section. The translucent qualities of the tinted glass permit interaction with ambient light, creating shifts in tone across the curved surface. The object is constructed from separately produced glass components fused or fitted together, a method central to the creator's ongoing investigation into the combination of distinct utilitarian forms into singular sculptural objects.

Expert opinion

Glass as a sculptural medium occupies a dual position between fine art and craft within the contemporary market. Legrand’s approach aligns with contemporary sculptural practices that utilize industrial or traditional studio techniques to question functional forms. Market placement for such objects depends on exhibition history and direct gallery representation. Pieces originating from gallery sources like Marie-Laure Fleisch maintain institutional and secondary market visibility within the European contemporary craft and design sectors.

About the artist

Julie Legrand (b. 1973, France) is a French artist who lives and works in Picardy. Her multidisciplinary background combines literature, philosophy, fine art, design, and an extensive exploration of glass and its transformative properties. After studying philosophy and earning a Master's degree in Modern Literature from Paris VIII, Legrand graduated from the École Nationale Supérieure d'Art de Cergy and later completed the CTC professional Master's program in contemporary design and technology at ENSCI Saint-Sabin. Her training also led her to explore various glassmaking techniques, notably through her work with the Centre International d'Art Verrier in Meisenthal. Since 1996, Legrand has developed a practice centered on sculptural installations distinguished by a heightened sensitivity to space, material experimentation, and a singular visual language. Her work investigates materials in states of transformation, combining a precise understanding of their physical properties with a careful consideration of the environments in which her installations take shape. Through assembly, manipulation, and experimentation, particularly with glass, Legrand explores the tension between fragility and solidity, control and unpredictability. Her practice is characterized by an ongoing dialogue between material, space, and an intimate artistic universe that, like the materials she works with, remains in constant evolution.

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