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A Deeper Place

Tracey Emin

A Deeper Place

2025

Two-colour lithograph on Somerset Warm White paper

80 × 122 cm

Ed. / 50 — Hand Signed and numbered on the front

Location: London, United Kingdom

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20,680 € 20680.0 EUR 20,680 €

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About the artwork

Produced in 2025,A Deeper Place uses an enlarged horizontal format to give Emin’s fragile line considerable physical presence. A reclining or folded body emerges from layered marks without being enclosed by a conventional interior. The two-color lithographic process preserves variations in pressure and overlap,while the surrounding paper becomes part of the image’s emotional space. The stated technique is two-color lithograph on Somerset Warm White paper. It measures approximately 80 × 122 cm. The lithographic process records changes in pressure,broken contours and overlapping gestures without regularizing the original drawing. Large areas of untouched paper remain visible around the marks,allowing the figure or handwritten phrase to retain an exposed and provisional character.

Expert opinion

The title directs attention toward an emotional or bodily space that cannot be described literally. The enlarged format gives Emin’s vulnerable line unusual physical presence while leaving much of the paper open. The work demonstrates how restraint can carry intensity without relying on dense narrative detail. In the context of Tracey Emin’s editions,A Deeper Place is notable because it retains the hesitation and exposure of private experience within a public edition.

About the artist

Tracey Emin is a British artist born in London in 1963, and associated with the Young British Artists movement that profoundly influenced the art scene in the UK in the nineties. Her largely autobiographical work explores themes of love, sexuality, vulnerability, loss and identity in a wide variety of media, including drawing, painting, sculpture, neon, video, embroidery and installation. She achieved international recognition with emblematic works such as My Bed, presented in 1999 and now a symbol of radical confessional art. Handwritten language, often direct and emotionally charged, is a central element of her practice, particularly in her neon works, which translate intimate statements into luminous messages displayed in public spaces. Elected a Fellow of the Royal Academy in 2007, Tracey Emin has had major exhibitions in international institutions and her work is included in numerous public and private collections, confirming her essential role in the evolution of contemporary art centered on personal experience and subjectivity.

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