SAR (Charlie Giglia)
Welcome to Brooklyn
2023
spray paint and acrylic on metal sign
15.5 × 30.5 × 0.3 cm
Unique
Localisation : Paris, France
Documents
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Invoice or proof of purchase
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Certificate of authenticity
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Other documents
À propos de l'œuvre
A rectangular metal sign serves as the base for this mixed-media composition, featuring a gradient background that transitions from yellow at the top to orange-red at the bottom. Stenciled across the upper portion of the sign are the words "WELCOME TO BROOKLYN" in a sans-serif typeface, rendered in a dark, slightly metallic brown hue with a subtle shadow effect. These letters exhibit a slight textural quality, suggesting they were applied using spray paint through a stencil.
Overlaid on this base text is a dynamic, graffiti-style rendition of the word “BROOKLYN,” rendered in bold, bubble-letter forms. This graffiti element is primarily red with white outlines and black drop shadows, adorned with yellow and light blue circular dots, and occasional light blue asterisk-like shapes. The letters are intertwined and extend across the lower two-thirds of the sign, partially obscuring the stenciled text beneath. On the far right, a stylized figure—resembling a character from early graffiti art or cartoons—is depicted in white with black outlines and red accents, holding what appears to be a spray can and pointing.
Avis de l'expert
This work exemplifies a common practice within the street art movement, in which artists appropriate everyday objects or signs as canvases, transforming them through their distinctive visual language. The juxtaposition of the official, stenciled “Welcome to Brooklyn” with the artist’s expressive graffiti tag highlights a dialogue between public signage and subcultural intervention—a characteristic theme in urban art. The artist’s use of a metal sign further anchors the piece in the city’s material culture.
À propos de l'artiste
Charlie Giglia, connu sous divers pseudonymes, notamment SAR, VIKING, SZAR et SARCASTIC 109, est un artiste américain associé au mouvement du street art. Sa carrière s’est développée dans le contexte de la culture du graffiti, où il s’est affilié à des collectifs de premier plan tels que TMB, MOD, TOP, FAL et RI. La pratique de Giglia consiste souvent à se réapproprier des surfaces publiques et commerciales, qu’il transforme en toiles pour y apposer son lettrage et son style graphique caractéristiques. Son œuvre explore fréquemment les thèmes de l’identité, du paysage urbain et de la nature éphémère de l’art urbain. Grâce à ses différents pseudonymes, Giglia s’est imposé tant dans les milieux artistiques underground que dans les contextes artistiques plus institutionnels. Sa production comprend des fresques murales, des œuvres sur toile et des pièces de plus petite taille réalisées sur des objets trouvés ou des étiquettes commerciales, reflétant un engagement constant envers les matériaux et l’esthétique de ses origines.
Informations complémentaires
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