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Notch 56 (Hector Perez)

Untitled

1996

Marker and felt-tip pen on paper

32 × 19.5 cm

Unique

Localisation : Paris, France

https://www.artransfer.com/web/image/product.template/37014/image_1920?unique=aeba764

420 € 420.0 EUR 420 €

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À propos de l'œuvre

This artwork features a stylized, light-skinned male character depicted in profile, facing left. The character wears a light blue flat cap, adorned with a small crown motif, and a matching light blue hooded sweatshirt. The sweatshirt features white drawstrings and pockets, with the words “SIX” and “SQVAD” (likely “Squad”) printed vertically along the right sleeve. The character’s facial features include pronounced eyebrows, an angular nose, and a determined expression, with one eye visible behind a rectangular lens. To the left of the character, a blue graffiti tag—partially legible as “SQUAD SIX”—is rendered with drips, suggesting a spontaneous and urban aesthetic. The composition uses a limited color palette dominated by shades of blue for the clothing and tag, and warm brown tones for the skin. Black outlines define the forms, contributing to the graphic quality characteristic of cartooning and street art. The deliberate drips in the graffiti tag suggest the fluidity and immediacy often associated with aerosol art, even though the medium used here is a marker. The overall presentation is that of a character study, typical of “black book” or sketchbook art within graffiti culture, where artists develop characters and lettering styles. The work serves as a visual representation of b-boy culture and graffiti aesthetics, reflecting the artist’s roots in the New York street art scene. The character’s attire and the accompanying tag are emblematic of hip-hop and urban youth subcultures. The piece demonstrates Notch 56’s proficiency in character design and his distinctive graphic style, which blends cartoon influences with traditional graffiti elements.

Avis de l'expert

The work is situated within the broader context of street art, a movement that has gained increasing institutional recognition and market value since its emergence in the late 1960s and early 1970s. Artists such as Notch 56, who were active during the formative years of graffiti, contribute to the historical lineage of this art form. The street art market has expanded significantly, with global valuations projected to reach $3.4 billion by 2033. This growth is driven by institutional validation, digital platforms, and commercial opportunities. While the market sees high-value sales for pioneering figures like Basquiat and Banksy, the segment for artists like Notch 56 typically involves works on paper or smaller-scale pieces that are accessible to a wider range of collectors. The inclusion of such works in auctions and galleries reflects the ongoing legitimization of street art as a collectible asset. The presence of a signature and the use of paper as a medium facilitate its entry into the formal art market, distinguishing it from ephemeral street interventions.

À propos de l'artiste

NOTCH 56 est un artiste issu de la scène du graffiti et de l'art urbain, principalement connu pour ses contributions aux « blackbooks ». Ces carnets de croquis constituent un support essentiel permettant aux graffeurs de développer leurs styles, leurs personnages et leurs formes de lettres, et font souvent l'objet d'échanges au sein de leur communauté. L'artiste est associé à plusieurs collectifs, notamment TFA, DTK, THB, MAGIC DUST INK et TSK (The Stone Killer), ce qui témoigne de son implication de longue date dans des projets collaboratifs et individuels au sein de la scène de l'art urbain. Sa pratique consiste souvent à créer des personnages et des figures stylisées, qui constituent un élément courant du graffiti au-delà du lettrage. Ces personnages présentent fréquemment des motifs visuels et des expressions distinctifs, reflétant l’esthétique personnelle de l’artiste dans le contexte plus large de la culture du street art. Le travail de NOTCH 56 s’inscrit dans une tradition où le style personnel et les compétences techniques sont affinés et partagés entre pairs, contribuant ainsi à l’évolution du graffiti en tant que forme d’art.

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