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Duro

Untitled

1989

ink on paper

22 × 28 cm

Unique

Localisation : Paris, France

https://www.artransfer.com/web/image/product.template/35086/image_1920?unique=8f77af3

520 € 520.0 EUR 520 €

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À propos de l'œuvre

A black-and-white ink drawing from 1982, this composition features a complex, multi-layered graffiti piece rendered in a block-letter style. The central element is a large, three-dimensional word—possibly “DURO” or a variation—constructed with sharp angles and shaded planes to suggest depth. The letters are adorned with various stylistic elements, including arrows, stars, and a circular motif with radiating lines. Above the main lettering, a stylized crown-like structure is depicted, surrounded by abstract shapes and a star with a trailing comet effect. To the right, a small figure appears to be holding a spray can, from which drips of paint extend downward, connecting to the main structure. Below the primary lettering, several tags and inscriptions are visible, including “TOP,” “TKA!,” “TD,” “TWS,” “RTW,” and “DUROC C/A 82.” Additional tags and dedications fill the margins of the paper, such as “TO QUIK,” “AEROM x ROC,” “DOOM 'COST HIS ART' .89," and several other illegible signatures and marks, including "Hi' UP" and "FUN CALIBER." The presence of multiple tags and dedications indicates a collaborative or communal aspect, typical of blackbook culture within the graffiti movement.

Avis de l'expert

This work exemplifies the "blackbook" tradition central to the early development of graffiti art, serving as a portable canvas for stylistic experimentation and exchange among artists. The dedication to QUIK, a prominent figure of the same era, situates the piece within a specific network of New York City graffiti writers. Works from this period by artists such as DURO are considered historical documents of a nascent art form, capturing the raw energy and innovative spirit of the time. The market for such pieces is driven by collectors interested in the origins of street art and the foundational figures who shaped its visual language.

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