CRASH (John Matos)
the real crash
2012
Screenprint + book
22 × 22 cm
Ed. /200 — édition de 200 signée et numérotée avec livre
Localisation : Paris, France
Documents
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Invoice or proof of purchase
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Certificate of authenticity
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Other documents
À propos de l'œuvre
A square screen print features a dynamic, abstract composition characterized by bold outlines and vibrant colors. The central motif appears to be a stylized hand or claw-like form, rendered in red with white highlights and black outlines, from which red drips extend downward. This form is set against a background divided into areas of red with white polka dots, orange and black diagonal stripes, and a light blue section adorned with yellow stars. The overall aesthetic draws on influences from comic books and pop art, utilizing Ben-Day dots and strong graphic elements.
The composition is framed by a thick black line that defines the edges of the image, contrasting with the white border of the paper. The interplay of dripping paint and sharp geometric shapes suggests both fluidity and structure. The use of primary and secondary colors, along with the distinct black outlines, creates a visual impact associated with urban art and graphic design.
Avis de l'expert
The work is situated within the broader context of the Street Art movement’s transition into the fine art market, a phenomenon that gained momentum in the late 20th and early 21st centuries. CRASH, as an artist who emerged from the New York City graffiti scene, played a role in this transition by bringing street aesthetics into gallery settings. His adoption of screen printing—a technique popularized by Pop Art artists—enabled the production of multiple editions, making his work accessible to a wider base of collectors.
In the contemporary art market, works by CRASH are sought after by collectors interested in the origins and evolution of Street Art and its intersection with Pop Art. The consistent presence of his works in auctions and galleries, along with his inclusion in museum collections, indicates an established market position. His prints, in particular, serve as an entry point for collectors into his body of work, while larger and unique pieces command higher prices.
À propos de l'artiste
Né en 1961 dans le Bronx, Crash, de son vrai nom John Matos, est un artiste urbain. Passionné et inspiré par le pop art et la bande dessinée, Crash travaille avec des couleurs vives à la manière d'une publicité. En collaboration avec Keith Haring, il a prêté son style à la campagne Peter Stuyvesant. Commençant très tôt comme graffeur sur les trains new-yorkais, il s'oriente progressivement vers la toile puis intègre plusieurs galeries. Son travail est présenté à la galerie Sidney Janis en 1983, alors qu'il n'a que 22 ans. En France, il se fait connaître un an plus tard en participant à l'exposition 5/5 Figuration Libre, France-USA au Musée d'art moderne de la Ville de Paris. Devenu rapidement un acteur majeur de l'art urbain, son œuvre est exposée dans de grands musées tels que le MOMA de New York et le Stedelijk Museum d'Amsterdam.
Informations complémentaires
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