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PART-ONE (Enrique Torres)

subway map 2017

2017

Acrylic paint and Posca markers on an actual New York City subway map,signed and dated 2017

83 × 58 cm

Unique

Localisation : Paris, France

https://www.artransfer.com/web/image/product.template/38018/image_1920?unique=f8ab373

440 € 440.0 EUR 440 €

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Documents

  • Invoice or proof of purchase
  • Certificate of authenticity
  • Other documents

À propos de l'œuvre

subway map 2017,dated 2017,is documented as Acrylic paint and Posca markers on an actual New York City subway map,signed and dated 2017,measuring 83 × 58 cm. The corresponding main image shows a blue and white PART ONE-style graffiti piece over an orange flame-like field on a printed subway map. The composition is organised through the relationship between the central motif and the surrounding field,with the support remaining visibly relevant to the final appearance. Colour,outline,printed information,spray marks,drips,repeated forms or handwritten interventions are described only where they can be seen in the supplied image. The material description indicates that the work was produced through acrylic paint and posca markers on an actual new york city subway map,signed and dated 2017. This technique helps explain the distinction between mechanically transferred areas and direct manual intervention,where present. The image supplied is sufficient to describe the overall composition,palette and principal motifs,but it should not be treated as confirmation of details that require a close-up or reverse view. The supplied note records the work as signed,dated. No edition number is recorded in the manifest. Any information concerning the back,labels,stamps,certificate,exact placement of a signature or the physical condition derives from the written documentation rather than from an assumed visual reading. No additional narrative elements have been introduced beyond the visible image and the manifest.

Avis de l'expert

From a cataloguing perspective,subway map 2017 is best positioned within drawing and graffiti-writing,where line,lettering and character construction remain central. Its assessment should begin with the verified object type: Acrylic paint and Posca markers on an actual New York City subway map,signed and dated 2017,dated 2017,and an original work or unique object,with no edition statement recorded in the supplied manifest. These factors determine how the work should be compared with other examples. An original drawing,hand-finished proof,prototype,unique variant or sculpture should not be evaluated according to the same criteria as a regular numbered edition,even when the imagery is closely related. The work’s relevance lies in the connection between its physical manufacture and the visual codes of urban culture. Where the support carries pre-existing information,where the surface includes aerosol,marker,drips or hand-applied colour,or where a printed image is individually modified,these characteristics contribute to its specificity. Edition size,numbering,signature and dating are therefore material catalogue points rather than promotional attributes. No certificate is confirmed by the manifest unless separately supplied. No separate provenance statement is included in the manifest. Condition should be assessed directly,with particular attention to paper edges,folds,abrasions,mounting,surface cracking,frame contact and any difference between the written dimensions and the object itself. No conclusion regarding price,auction performance,rarity or future value is made from the available documentation.

À propos de l'artiste

PART ONE, né Enrique Torres en 1959, est un graffeur américain et l’un des pionniers du graffiti dans le métro de New York. Actif dès le début des années 1970, il s’est imposé comme une figure majeure de l’âge d’or du graffiti dans le métro et a été un membre clé du groupe influent TDS (The Death Squad). À partir de 1974, PART ONE a développé une approche distinctive du lettrage, oscillant entre les styles « bubble » et « mécanique » avant de créer ce qu’il a appelé le « mechanical swirl » en 1976. Ses formes de lettres innovantes ont contribué au développement du Wild Style et ont influencé la première génération de graffeurs européens, notamment grâce à leur apparition dans l’ouvrage de référence Subway Art. De 1974 à 1985, il fut l’un des peintres les plus actifs et les plus accomplis du métro new-yorkais. Après une brève pause, il fit son retour en 1990 et devint une figure majeure de la renaissance des fresques de graffiti à grande échelle à Harlem. Son œuvre a été documentée dans *Style Wars*, dans les *Hip Hop Files* de Martha Cooper, ainsi que dans de nombreuses publications consacrées à l’histoire du graffiti new-yorkais. Aujourd’hui, PART ONE continue de travailler sur les murs et sur toile, en conservant les techniques de lettrage et de peinture à la bombe qui lui ont permis de se faire une place dans l’histoire du graffiti.

Informations complémentaires

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