À propos de l'œuvre
A sketchbook page features a graffiti-style rendition of the word "QUADRA" rendered in marker and ink. The central element is a bubble-lettered word,filled with light grey tones and accented with dark grey shading to create a three-dimensional effect. Teal green details and small star motifs are incorporated into the letterforms,adding textural interest.
The letters are outlined in black,and the entire word is set against a background of blue,cloud-like shapes,suggesting a dynamic,ethereal setting. The composition demonstrates characteristic elements of graffiti lettering,including exaggerated curves,connections between letters,and a sense of movement.
In the upper left corner of the page,two smaller tags are present. One reads "QUADRA" with additional stylistic flourishes and a dollar sign symbol,while the other,outlined in blue,appears to be the artist's tag "PART-ONE" or a variation thereof. These elements provide context for the main piece,illustrating the artist's tagging practice alongside a more developed letter-style.
Avis de l'expert
This work exemplifies the 'blackbook' tradition within graffiti culture,serving as a vital record of an artist's stylistic evolution and experimentation. Such pieces are increasingly recognized within the broader art historical context as primary documents of a significant urban art movement. The artist's position as a first-generation New York City graffiti writer lends historical weight to the piece.
In the art market,works by pioneering graffiti artists like Enrique Torres hold a specific niche. They are sought after by collectors interested in the origins of street art and its transition into gallery spaces. The market values these works for their authenticity,the artist's reputation,and their direct connection to the foundational period of the movement.
À propos de l'artiste
Enrique Torres, connu sous le nom de PART-ONE, est un artiste américain reconnu pour sa contribution aux débuts de la scène du graffiti new-yorkaise. Actif depuis les années 1970, il a fait ses débuts dans le Bronx avant de rejoindre des groupes de renom tels que The Death Squad (TDS) et The Crazy Five (TC5). Son œuvre s’est développée à une période charnière pour cette forme d’art, marquée par l’expérimentation des styles de lettrage et des palettes de couleurs sur les rames de métro. La carrière de Torres est passée de l’art de rue illégal aux expositions en galerie, ce qui lui a valu de s’imposer comme une figure historique du mouvement du street art. Sa pratique englobe aussi bien des fresques murales à grande échelle que des œuvres plus modestes sur papier, témoignant de l’évolution de son esthétique singulière.
Informations complémentaires
Certificate
3x
D'AUTRES OEUVRES SUR ARTRANSFER
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