LOVE & HATE

From a cataloguing perspective,LOVE & HATE is best positioned within graffiti and urban-art practices,particularly the direct use of aerosol,marker and layered graphic gesture. Its assessment should begin with the verified object type: Spray paint,Posca,and acrylic on linen canvas mounted on a wooden frame,signed,dated circa 2009,and an original work or unique object,with no edition statement recorded in the supplied manifest. These factors determine how the work should be compared with other examples. An original drawing,hand-finished proof,prototype,unique variant or sculpture should not be evaluated according to the same criteria as a regular numbered edition,even when the imagery is closely related. The work’s relevance lies in the connection between its physical manufacture and the visual codes of urban culture. Where the support carries pre-existing information,where the surface includes aerosol,marker,drips or hand-applied colour,or where a printed image is individually modified,these characteristics contribute to its specificity. Edition size,numbering,signature and dating are therefore material catalogue points rather than promotional attributes. No certificate is confirmed by the manifest unless separately supplied. No separate provenance statement is included in the manifest. Condition should be assessed directly,with particular attention to paper edges,folds,abrasions,mounting,surface cracking,frame contact and any difference between the written dimensions and the object itself. No conclusion regarding price,auction performance,rarity or future value is made from the available documentation.