B-BOY

From a cataloging perspective, “B-BOY” falls within the categories of Graffiti and works on paper. The work’s significance lies primarily in the relationship between its recorded date—2008—its medium—a drawing created with Pantone markers on paper—and the degree of manual intervention visible in the object. The market category should not be determined by the artist’s name alone: the support, edition structure, signature, date, provenance, and condition all materially affect how the work should be compared with other examples. No edition is recorded. The direct use of paint, marker, collage, or constructed materials supports cataloging the piece as a unique or individually executed work, subject to confirmation through the original object and its reverse. The provided record does not constitute a separate certificate unless otherwise noted in the original documentation. Any condition assessment should take into account the specific support, including deckled paper, recycled cardboard, used currency, vinyl, skateboard wood, or unstretched canvas, as these materials may exhibit intentional or inherent surface characteristics. For an informed assessment, the image should be examined alongside close-up views of the signature, numbering, reverse inscriptions, publisher or gallery marks, and any certificate. The available material is sufficient for a cautious catalog positioning, but it does not provide verified auction comparisons, institutional exhibition history, or market performance data. No estimate, investment conclusion, or claim of rarity is therefore made. The work is best evaluated as a documented object within its specific medium and production context, with an emphasis on authenticity, completeness, and physical condition.