Sam Francis
Untitled
1993
Silkscreen on Somerset 410 GSM Radiant White paper
41 × 18 cm
Ed. /26
Location: France
Documents
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Invoice or proof of purchase
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Certificate of authenticity
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Other documents
About the artwork
This silkscreen print from 1993 features an abstract composition dominated by a large, curvilinear form that occupies the central vertical axis of the paper. The form is composed of various segments of vibrant color, including reds, greens, blues, purples, and oranges, interspersed with areas of white paper that define its contours. Within these colored sections, there are instances of dripping paint and layered hues, creating a sense of movement and spontaneity. The palette is diverse, with primary and secondary colors appearing alongside more muted tones like a reddish-brown and light green. Some sections exhibit distinct patterns, such as the diagonal stripes visible in the lower left portion of the central form, while others are characterized by organic shapes and splatters. The overall impression is one of dynamic energy contained w.ithin an irregular, almost question-mark-like shape against a stark white background. The artist's signature is visible in the lower right area of the colored form, indicating the authenticity of the print. The use of Somerset 410 GSM Radiant White paper provides a substantial and bright ground for the intense colors of the silkscreen.
Expert opinion
The artist's printmaking output is a significant aspect of his oeuvre, reflecting his exploration of color and form across different media. This particular work, executed in silkscreen, demonstrates his continued engagement with abstract expressionist principles even late in his career, utilizing the medium to achieve a distinct luminosity and flatness of color. The market for the artist's prints is stable, with demand from both private collectors and institutions. Prices for his limited edition silkscreens vary based on size, complexity of the image, and edition size, but generally maintain a consistent value within the contemporary print market.
About the artist
Sam Francis (1923-1994) was one of the most influential American painters of the post-war period, renowned for his abstract works of exceptional luminous and chromatic intensity. Born in San Mateo, California, Francis initially studied medicine before turning to art after a long convalescence following an air crash during the Second World War. This episode had a profound effect on his work, in which light, space and freedom became recurrent themes. Trained at the University of California at Berkeley, he followed in the footsteps of Abstract Expressionism, but distinguished himself from it with a more ethereal, meditative approach. In the 1950s, he moved to Paris, where he joined international artists' circles and exhibited at the Galerie du Dragon. He soon established himself on the world stage alongside such figures as Jackson Pollock, Mark Rothko and Joan Mitchell. His work is characterized by an exploration of color as a vital, spiritual force, applied in blobs, splashes and transparencies. Francis also drew on Eastern philosophies and Zen thought, seeking to paint not objects but states of consciousness. His work can be found in major public collections, including MoMA (New York), the Centre Pompidou (Paris), Tate Modern (London) and the Los Angeles County Museum of Art. Through painting, lithography and engraving, Sam Francis has left a body of work of cosmic energy, celebrating light as a universal principle.
“"Color is my signature: it acts as a vital force that transcends gesture and form." - Sam Francis on his practice”
Additional info
Signed
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